New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Mikkelsen's unconventional features and intense talent lend a compelling edge to this expansive period piece.
  2. Certainly has the look and feel of a masterpiece, but it's missing the emotional core that most moviegoers need.
  3. It's not so much good material as divinely inspired delivery.
  4. It's reassuring to see love and sex in one's 70s depicted as fully replenishing. At the same time, it's sobering to think that it's no easier in the twilight of life to make rational decisions regarding the heart.
    • New York Daily News
  5. It irks the ink out of me to see Lane exalted as a hero for doing what any responsible editor would do, then being paid to consult on his own canonization.
  6. Go for the extraordinary special effects, by all means, but not if you want to feel good about yourself or humanity. And heed the PG-13 rating, because this movie takes no prisoners.
  7. What stands out, not surprisingly, is the work and passion that goes into the shows. But seeing all this from the inside creates an extraordinary level of empathy for those involved.
  8. A wild and unexpected film.
    • 73 Metascore
    • 20 Critic Score
    It’s easy to roll your eyes at this slapdash film-school reject — though director Leah Meyerhoff can be forgiven a bit. She’s still in film school.
  9. Makes hoops look like the sexiest game in town.
  10. As the relationship between the two British schoolteachers begins (quietly), builds (deceptively) and dissolves (spectacularly), Dench and Blanchett give a master class in acting. Pick your own sports metaphor, but watching them go at each other is the match of the year.
  11. Fujimori comes off as amiable and in full denial, recalling the positive headlines of his presidency - and there were many - while laying the scandals off on Montesinos.
  12. Belafonte still finds ways to address injustice - and now we have over 50 years of his example to follow and his music to enjoy.
    • 73 Metascore
    • 60 Critic Score
    This important, moving event was, as we know, documented in real time, but in Uprising gets put into a crucial context.
  13. Lengthy clips of leaders including Angela Davis and Stokely Carmichael bring us back to emotional moments in this country's history.
  14. The mystery is pretty low-key and the resolution somewhat disappointing. But Amalric is mesmerizing and the film’s taut, chilly tone leaves us unnerved.
  15. Faour and Muallen give solid performances, but there are a few too many by-the-numbers moments.
  16. Mendes -- wants to have it both ways, to get close to mob life, but be no part of it. And he keeps us at a dime-novel distance, too. He has made a dreamy, poetic impression of a world that exists only on film and in comic strips, and that has no resonance for most of us.
    • New York Daily News
  17. Without excusing Stevie's behavior, the film makes a compelling case for how a child molester can grow from the bitter seeds of neglect and abuse.
  18. Sven Wollter and Viveka Seldahl give superb performances as the couple, a once-vigorous conductor and his orchestra's concertmistress. But soon ... well, you know the drill.
  19. The strength of McKay's film is not in identifying a cultural period, but in giving voice to so many great theater people. Their passion is infectious, their stories are priceless and their humor is boundless.
  20. Like Ceylan's earlier films, Climates is as gorgeous as it is self-consciously composed, but an hour and 40 minutes is a long time to spend with Isa, forget three seasons.
  21. The film's standout performance belongs to Ed Harris, who plays a Boston detective with decades of experience and an equal amount of built-up resentment toward people who would harm children.
  22. Though Bowser uses old footage when possible, the absence of his subject -- who died tragically in 1976 -- is keenly felt.
  23. For starters, it's a pleasure to see Matthew McConaughey - a gifted actor who can't hide his boredom in trivial work - finally settle into the role for which he was born.
    • 72 Metascore
    • 80 Critic Score
    No movie could capture all the alarming incidents and contradictions that make up the complete N.W.A. story. But in order to stress the group’s most righteous side, the movie downplays their youthful excesses as well as their flagrant sexism.
  24. Gorgeously photographed, and as loosey-goosey as its hero, Captain Fantastic takes some unexpected turns. Is Ben eccentric or irresponsible? Is he raising free-thinking iconoclasts — or training a new generation of Unabombers?
  25. The film paints an affectionate portrait of a wry, somewhat addled man whose hard-partying past was in stark contrast with his later life - a fluffy cat nestles in his guitar case while he explains his nickname.
  26. Scott and Plummer may deserve a standing ovation for taking a powerful stand amid the #metoo movement. If only the rest of All the Money the World was as powerful.
  27. If last year’s searing old-age tragedy, “Amour” — or 2006’s bravely blunt “Away From Her” — weren’t digestible enough for you, perhaps this mild romance will suffice.

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