New York Daily News' Scores

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For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
  1. Positive: 2,885 out of 6911
  2. Mixed: 2,801 out of 6911
  3. Negative: 1,225 out of 6911
6911 movie reviews
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  1. Behind the Sun
    The story, which was inspired by an Albanian novel and the Greek tragedies of Aeschylus, ends with a literary patness. But it's still a potent tale of fraternal love and the loss of innocence.
  2. My Terrorist
    Gerstel's efforts are a testament to her own humanity and a ray of inspiration for some ultimate peace. But it also speaks to the near futility of individual forgiveness in a continuing tinderbox of hatred.
  3. Show Me Love
    Grainy color stock and tight closeups give the film a realistic feel that's accentuated by natural performances from the able young cast.
    • New York Daily News
  4. Rust and Bone
    Though Rust and Bone aims for a blasé attitude toward disabled drama - in a far more artificial way than another French film, "The Intouchables," did earlier this year - it's underwritten characters and hoary approach plunk it into mediocrity. As wheelchair-bound Stephanie practices her whale-training motions to Katy Perry's "Firework," it's eye-rollingly obvious.
  5. Eye in the Sky
    As the colonel, Mirren is terrific — a fierce warrior willing to bend as many rules of engagement as it takes. As her commanding officer, the late Alan Rickman is just as dedicated but a little tired of bloodshed.
  6. All About Lily Chou-Chou
    Although way too long at 146 minutes and extremely confusing in structure, the story of a lonely, picked-on eighth-grader (Hayato Ichihara) who finds refuge in the ethereal music of a Bjork-like pop singer packs a solid punch.
  7. Wordplay
    In this documentary, I learn there are people who can solve a Monday New York Times puzzle in less than three minutes - without looking words up! I don't necessarily want to know these people, but they put on a good show at the annual crossword championship in Stamford, Ct., which is the centerpiece of this affectionate, smartly-done promo for puzzling.
  8. Like Father, Like Son
    The child performances are stellar, though most striking is how the film’s sympathies spread to everyone.
  9. Queen of Katwe
    Although the script is a little flat — just because the story is true doesn't mean it should feel so predictable — Nair gives the film tons of energy and joy.
  10. I'm Not There.
    Some of it is brilliant, some is tedious and some is just plain incoherent.
  11. Derrida
    The sort of film one should probably see either a half-dozen times or not at all. It's a complex, highly ambitious documentary that aptly reflects its subject, contemporary French philosopher Jacques Derrida.
  12. The Son's Room
    A stately and deeply affecting look at the human condition, told in something like a series of snapshots.
    • New York Daily News
  13. Himalaya
    The plot is woven from minutely observed details that beautifully evoke a rarely seen world.
  14. The Man Who Wasn't There
    Has all the tense crackle of film noir and the molasses drip of irony that is the trademark of movie-making brothers Joel and Ethan Coen.
  15. The Bourne Supremacy
    The movie is mostly a series of frenetic clashes, dubious near misses and car chases. It lacks the human interest and snowy splendor of the first movie, directed by Doug Liman.
  16. The Proposition
    Despite all the violence that ensues, The Proposition is a psychological Western more in the mold of Clint Eastwood's "Unforgiven" than the John Ford films its stark cinematography resembles. It's about a good man, Stanley, who does bad things, and a bad man, Charlie, fighting his conscience.
  17. Les Destinées
    As befits a production of impeccable French pedigree, the acting, set design and lush cinematography are all outstanding. But the story is told so slowly.
    • New York Daily News
  18. 1971
    This is a terrific time capsule with a resonant message.
  19. A Most Wanted Man
    Whether you call Anton Corbijn’s adaptation of John le Carré’s 2008 novel “deliberately paced” or “so slow I can feel my hair growing,” there’s no denying the power behind the central performance.
  20. Arbitrage
    Though it teeters at times on the edge between potboiler and melodrama, Arbitrage benefits from a notable lack of sympathy for Gere's Gordon Gekko-like Miller. Rather than seeming pat, Jarecki's straightforward cynicism is pointed and purposeful.
  21. Somersault
    Shortland's script takes some unnecessary turns, mostly with Joe's drinking and sexual insecurities. But as long as it's focused on Heidi's predicament, it is riveting drama.
  22. The Princess and the Frog
    Part of the problem with "P&F" is that Tiana and Naveen's connection feels superficial.
  23. Crossing the Bridge: The Sound of Istanbul
    It's hard to imagine what Akin left unexplored - but here's hoping he'll share his discoveries if he ever returns.
  24. The Two Escobars
    The Zimbalists have unearthed a trove of footage, which they effectively blend with a full range of surprisingly honest interviews. As a result, the story of two individuals expands into a portrait of an entire country, in almost unthinkable distress.
  25. Urbania
    Smart, psychologically complex film is an offbeat and effective tale.
  26. Lola
    Jacques Demy showed up with the lightest touch with his 1960 Lola, a movie that has been called a musical without music.
  27. The Execution of Wanda Jean
    Ultimately, the film is so determinedly evenhanded, it probably won't change anybody's mind. But no matter where you stand, it's likely to leave a lasting impression.
    • 73 Metascore
    • 80 Critic Score
    Ai Weiwei: The Fake Case
    China’s government can’t handle dissident artist Ai Weiwei. He turns every move to suppress him into brilliant conceptual art.
  29. Black Cat, White Cat
    The slapstick is broad to the point of overkill.
  30. Spider-Man
    Spider-Man is an almost-perfect extension of the experience of reading comic-book adventures.
    • New York Daily News
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