New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Exhilarating.
  2. You may admire Witherspoon’s solid performance, but you won’t forget you’re watching a star.
  3. One of the best indie films of the year, Humpday is a lighter descendant of "sex lies and videotape," yet burrows just as deep into the male psyche and the human capacity for self-deceit.
  4. The mere fact that Shakespeare can teach hardened criminals to search their souls gives hope that forgiveness and redemption are possible.
  5. Oliver! is a timeless classic that will be as lovable in 10 or 20 years as it is today.
  6. If you're the type who unwinds by watching "The Wire" or "Law & Order: SVU," you might appreciate this grim procedural drama from French actress Maïwenn. There's no denying its power: It took home the Jury Prize at Cannes last year. But for most, Polisse will be tough going.
  7. Based on a true story, the movie has abundant humor and uplift - but it's a heartbreaker of extraordinary dimension.
  8. The suspense is as tingly as jalapenos on the tongue.
  9. It doesn't dip much below the surface, but Tamra Davis' biography of her friend Jean-Michel Basquiat, who died in 1988, offers an informative introduction to one of contemporary art's most complex figures.
  10. This computer-animated feature rivals "Cars" for the year's most visually exciting cartoon, but watch your step - most of the movie takes place in the London sewers, where the script may have been conceived.
  11. If you’re only a casual observer of Bergman, you’ll find this documentary as inaccessible as his densest works.
  12. The segments are introduced with little clichés or homilies, like "Ignorance Is Bliss," but the fierce intelligence of the script reminds us that sometimes a cliché is the only way to express the ineffable.
    • New York Daily News
  13. It's about the kind of kids who could never sit still enough, unfortunately, for a movie that perfectly captures the frustrations, longings, obsessions and torments of the awkward years before manhood.
  14. When was the last time you had your mind blown by a movie? Because when Inception ends and the lights come up, you'll be sitting in your seat, staring at the screen, wondering what the hell just happened.
  15. While it's a geek's paradise from scene one, newcomers are likely to feel left out until they get their bearings. Fortunately, Whedon's characteristic humanity, coupled with the slyest sense of humor in Hollywood, greatly eases the transition.
  16. Better to stick with his slightly weird, ultra-focused nerds, who toil away on something strange and special, simply for the beauty of it.
  17. The story is fanciful, with grotesquely improbable twists involving the fictional Garrigan (James McAvoy) and one of the dictator's three wives (Kerry Washington). But as Amin, Forest Whitaker's command of the screen is so thorough, so frightening, so ripe with malice that you won't move in your seat for fear of catching his eye.
  18. The island phase of Hanks' performance is simply amazing.
  19. Though Jessica Sanders' rambling documentary about the damaged lives of wrongfully imprisoned men would have made a better subject for an hour-long "Dateline" special, it's still a powerful indictment of a judicial system too anxious to close cases, and then close ranks when someone tries to reopen them.
  20. Its young heroine is proud to be herself; there's just not much for her to do beyond that.
  21. Their mundane meetings underscore how easily secrets are leaked, but unfortunately, scenes of meetings between Presidents Reagan (Fred Ward) and Mitterrand seem hollow and naive. Kusturica and Canet are strong, though, as is Willem Dafoe as an American intel officer.
  22. A combination ghost and shaggy dog story that is so well-made and acted you can nearly overlook its murky, unsatisfying ending.
  23. Still, with a story this weak, arguing that the illustrations look cool feels like a cheat.
  24. Film makers Barak Goodman and Daniel Anker dig deep into the story and its ramifications, exposing how the twin evils of racism and anti-Semitism combined to foment institutional injustice, and led — if a silver lining could be found — to the triumphs of the civil-rights movement two and three decades later.
  25. Holm is dazzling as the grubby little misfit, just a little brilliant and a little insane.
  26. It's frightening because it's so effective in fomenting fear and because it's so easy to recruit bombers among repressed and hopeless societies.
  27. The movie tells you right up front you're going to get what you came for: big stars, winking inside jokes and a spin on something so familiar it doesn't matter that you don't buy it for one minute. You're not meant to.
  28. There's little to enjoy in this unsettling tale, but Doillan's unblinking depiction of manipulation and desperation stays with you long after the characters make the deals that seal their unjust fates.
  29. A thorough, gutsy and appropriately scuzzy-looking documentary.
  30. The movie's clever ambiguity allows a number of interpretations. Perhaps it is all a dream, a parable, or a combination of wishful thinking and reality.

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