New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. There is a train-wreck quality to this film. The story is so astounding, you can’t look away. But as a documentary, there are so many questions both unasked and unanswered that it feels more like reality TV, mostly about the spectacle.
  2. Built from a perfect story-telling collaboration.
  3. Inside these average American lives are futures far too often passed over or, worse, written off. This terrific film gives the teenagers their due.
  4. Remarkable first film.
  5. Sometimes, more is less. Although it’s called Captain America: Civil War, the latest Marvel movie is actually a supersized “Avengers” picture -- overstuffed to bursting.
  6. At heart, Middle of Nowhere offers material we've seen many times before. But between her perceptive direction and Corinealdi's layered performance, this modest, micro-budgeted story has been beautifully packaged.
  7. Moll clearly has looked to Hitchcock and Clouzot for inspiration. There are sexual undercurrents between characters, psychological quirks and a murky veneer like the surface of the pool in "Diabolique."
  8. Some of the simplest shots give you the full picture of the price these guys paid for their dreams.
  9. Levinson is so skillful at developing personalities, even among the story's would-be villains, that by the halfway point of the movie, every gesture and expression has unexpected depth and texture. The performances are across-the-board superb.
  10. Simple, joyful and downright innocent movie.
  11. The result is a long night of confrontations that feel heavily rehearsed and unlikely. There are some good moments, but I didn't believe any of this.
  12. The best part is during the closing credits. Dustin Hoffman does a brilliant, dead-on impression of Evans that captures the essence of the man more than all the self-serving grandiosity that preceded it.
  13. Features an absurdist sensibility that ultimately melts your heart. It's certainly one of the stranger movies you'll see.
  14. Gentle and understated (if somewhat creepy).
  15. Digs up familiar ground without adding any fresh dirt.
  16. If, unlike his friends, you don't take anything Andre says seriously, there is a wicked sense of fun about it, and you may even see a little of yourself in one of the characters.
  17. A pleasant romp through the land of Truth Is Stranger Than Fiction.
  18. The movie sometimes has the feel of an Olympic sprinter running in place. There’s so much energy expended to get to one spot. Constant searches beget more searches. It all gets exhausting.
  19. Both lovely and wrenching, So Yong Kim's intimate drama feels so honest, it's often difficult to watch.
    • 75 Metascore
    • 80 Critic Score
    This version feels a lot less like a long advertisement for Lego products than the original, which featured multiple "here's how to build something cool" segments. And "LEGO Batman" uses pop culture better than the original.
  20. People unfamiliar with either man may think Altman is mocking Keillor and his 32-year-old radio program here. But, it is pure affection, and the movie is as much up-tempo, irresistible fun to watch as the show is to hear.
  21. Intensely compelling documentary.
  22. Both public tribute and private therapy session, Baadasssss! should have been a self-conscious disaster. By confronting his past with wit and style, Van Peebles has instead created a meta-cool history lesson and homage.
    • 75 Metascore
    • 80 Critic Score
    Trainwreck is rarely as laugh-out-loud funny as early Apatow or “Inside Amy Schumer,” but it is consistently amusing and constantly engaging.
  23. The Specialist allows Eichmann to convict himself, not of complicity in the Holocaust -- to that he pleads guilty, by reason of nationalism -- but as a man unfazed by his own inhumanity.
  24. A comedy hit, but its secret is that it delves deeper than the usual summer fare.
    • New York Daily News
  25. Gosling's performance is a stunner, although the story-telling is otherwise pedestrian. It is the movie's blessing and curse that it does not shy away from Danny's murderous, inexplicable contradictions — or explain them.
  26. Winterbottom informs us that, though fictional, his story represents thousands of real lives, and there is a hardly a false note, which makes this both a difficult and exceedingly memorable film to watch.
  27. Uses social and historical perspective to explain what happened then and, perhaps inadvertently, what's happening now.
  28. Both frustrating and instructive.
    • New York Daily News

Top Trailers