New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Just because a movie can exist doesn’t mean it should.
  2. "If you don't want something," Twelve informs us, "you've got nothing." Well, I wanted to watch a good movie. But Joel Schumacher's shallow teen drama gave me nothing, instead.
  3. A painfully unfunny vehicle for Norm Macdonald, who here shows exactly why he was ousted from NBC's Saturday Night Live. [13 Jun 1998, p.27]
    • New York Daily News
  4. Lacking the requisite post-"Scream" irony, the film is simply a package of gougings, stabbings, drillings and guttings, all tied up with a "twist" ending that anyone with a still-functioning brain could figure out in a matter of minutes.
  5. It’s a good thing writer-director Jeff Lipsky is a film distributor in real life. He’s his own best hope for getting this dreck out there.
  6. From junky production values to the parade of unfunny supporting characters to its lazy energy, Dumb and Dumber To falls on its face.
  7. Despite the filmmakers' desperate attempts to scandalize us, the only real shock is that a movie this disastrous ever managed to get made.
  8. This is the biggest lowdown, rotten, disgusting, depraved sideshow in the megaplex. Check your brains, your taste and your self-respect right over there with the bearded ticket taker.
  9. In the monumentally dull 47 Ronin, Reeves mumbles monosyllabic claptrap between dull action scenes. And it’s a shame: At almost 50 years old, the actor allows this turgid, clanky flick to play to his worst stereotypes.
  10. It’s impossible to find anything that grabs you in Pompeii. This lumpen adventure with a misguided romance buries anything in the disaster-flick genre that might have been a blast.
  11. Isn't prophetic ... just pathetic
  12. The cloddish, confusing action scenes make no sense. Young viewers’ eyes will glaze from the first-person video-game style. Nonaction scenes feature people sniping at each other, or, in Arnett’s case, croaking out the script’s half-assed witticisms, until the Turtles show up.
  13. This poor man’s Norman Bates, though, doesn’t make us wonder what makes him tick; he makes us want to shut our eyes.
  14. Ah, perfect: A banal story to go with intermittently banal porn.
  15. When is a holiday stocking more like a smelly gym sock? When it's the malodorous Christmas With the Kranks, a so-called comedy stuffed with bigotry, intolerance and bullying.
  16. By the end of its way-too-long 98 minutes, there are four things audiences will be haunted by: Jovovich's annoying, whispery monotone; silly closeups of owls; Will Patton's Z-movie turn as a grizzled sheriff, and dialogue like "It's too late to forget what you already know." Ain't that the truth.
  17. Whether one thinks Only God Forgives is laughably awful — like, for instance, “Showgirls,” “The Color of Night” or “Battlefield: Earth” — or just plain terrible awful depends, appropriately, on how much you’re willing to forgive it.
  18. This film is loud, ugly, disrespectful to the spirit of the classic original and far too simplistic for all but the youngest kids. Avoid any brick roads that lead to it.
  19. An atrocious mess.
  20. This one isn't original, or even bearable. By its thudding end, audiences may wish they could be zapped from the theater to escape the buzzing in their ears.
  21. Shocking. Horrific. Stunning. The plot twists in Final Girl? No, the fact that the movie itself was even made — and that Abigail Breslin is in it.
  22. Splice is an unholy mess because it fuses together the worst parts of every bad medical-monster thriller, and then boldly cranks up the ridiculous.
  23. The crowd that likes these things will certainly be psyched. Everyone else, not so much.
  24. This ludicrously written, buffoonishly acted, irritatingly filmed sword-and-sandals epic hasn't half the sand, sweat or saltiness of other titles in the genre.
  25. A few barely conceived scenes allow Carl Reiner, Tom Arnold and Jay Mohr to show up for a quick paycheck. What’s that title again?
  26. The worst humans-fighting-aliens movie I've ever seen. And I've seen a lot of humans-fighting-aliens movies.
  27. Talk about waste products; think of the time, effort and money that went into this movie.
  28. All the men's wives are shrews, prigs or doormats; all the conquests doe-eyed blonds with sucked-in cheeks. All the dialogue is as witty as this exchange: "You're a sick f---!" "No, you're a sick f---!" They're all sick f---s, frankly, and the actors are dreadful while playing them.
  29. No Good Deed is an example of the worst kind of exploitative thriller — and it’s being released during the worst possible week.
  30. The whole thing is such a tedious, foul-mouthed mess that it isn't even worth discussing as a riff on the Bob Dylan doc "Don't Look Back" or a meditation on slovenly semi-madness.

Top Trailers