New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. These World Wrestling Entertainment-produced movies are a world unto themselves: Cliché-ridden B-flicks anchored by monstrously huge grapplers giving acting their all.
  2. The movie soon turns into only a production-designed run-and-chase game, and our curiosity about what happened to Earth and the crew is teased and teased again until the movie’s big letdown of a reveal.
  3. Travolta, who delivers an impressively enthusiastic performance, seems to have no idea that he's stuck in one of the year's worst movies. The perpetually pained expression on Williams' face, however, suggests he knows otherwise.
  4. The Sitter is not only an atrocious shout-out to bad '80s comedies, it's also the kind of movie Jonah Hill should look at as a crass blast from his past.
  5. This wannabe Sherlockian thriller is like a night spent at Madame Tussauds, watching mannequins strangle other mannequins.
  6. It's hard to know whether Sebastian Gutierrez is imitating or satirizing the hard-boiled noirs of Hollywood's past, but either way it feels like a botched attempt.
  7. All we’re left with is the sight of older men hiring a gorgeous young woman to take her clothes off and fulfill their desires. If nothing else, Ozon does leave us wondering whether he intended such an uncomfortable parallel between life and art.
  8. This Canadian Hamlet, completed years ago, is as airless as a tomb.
  9. Tries waaay too hard, just like its motormouth jock-snark heroes.
  10. The movie even has the nerve to start with a montage of moments from his better films, a bad idea that sets off an escalating tumble downhill.
  11. Cranston, in a fake beard and dark glasses, seems to be enjoying his goofy act. Trouble is, this isn’t the kind of movie in which goofy earns goodwill.
  12. The cozy sentimentality in The Time Traveler's Wife is the only thing that grounds it. Mostly it's just featherheaded.
  13. This un-terrifying film tries to find an interesting twist on the classic Frankenstein tale, but horrifically fails.
  14. An epic example of muddled storytelling, chintzy excitement and scatter-brained execution.
  15. Wish Upon is dull because it never goes far enough to truly scare anyone.
  16. Broomfield's point that Palin followers threaten her enemies, though, is worthy of a different documentary - perhaps one about American fanaticism.
  17. An atrocious, idiotic 88 minutes of anti-entertainment. To borrow word-shtick from the guru Pitka, it's AWFUL as in, "Anyone Watching Feels, Um, Loser-ish."
  18. It should surprise no one that visually quirky, graphic-novelish, pulp-noir action flicks rarely come through the sausage machine intact.
    • 70 Metascore
    • 20 Critic Score
    This feels like a documentary about legal cases against TASER, not a documentary on the Taser.
  19. "Dopey" is too good a word for it.
  20. It winds up just being annoying.
    • 48 Metascore
    • 20 Critic Score
    Ted 2 is the equivalent of a middle school bully. It's not as funny as it thinks it is. Its penchant for casual cruelty masks a hollow soul. And it will be totally forgotten once we move onto bigger and better things.
  21. Even young would-be botanists will find this charmless animated adventure as exciting as watching grass grow.
  22. If you’re looking for a Valentine’s Day date, this version is probably a better choice than the uncomfortably swoony original would have been. You might be bored, but at least you won’t be embarrassed.
  23. The Angry Birds Movie is just fowl.
  24. The whole movie hinges on the allegedly miraculous romance between Beverly and Peter, but Goldsman’s leads are distractingly mismatched and lack even a spark of chemistry.
  25. There are some nice moments of camaraderie, as Feldman and Imperioli do their laid-back thing and Fisher is feisty and warmhearted. Still, the let’s-all-talk-at-once actorliness wears thin. It’s just not worth the mood swings.
  26. This one has a screenplay by Stephen King, adapting his own short story. Unfortunately, that can’t save this low-budget thriller.
  27. While all four leads deserve better, it's especially galling to see Burstyn - still so lovely - wasting her time and talents on a film with so little wisdom to share.
  28. The performances are expert, but can't make up for a flat script and direction. Unless you, like Claire, are a glutton for punishment, we suggest you choose nothing over something.

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