New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. One of the most honest and harrowing depictions of female adolescence ever put to film.
  2. Tony Gilroy, co-author of the superb Jason Bourne film trilogy, makes a stunning directorial debut with Michael Clayton, an out-of-courtroom drama that helps solidify George Clooney's acting bona fides.
  3. Kempner demonstrates how the star's success and dignified bearing inspired a generation of Jews to fight through the ethnic barriers in all fields.
  4. Though made 31 years after D-Day, the dramatic scenes have the period look of a '40s movie, which links them perfectly with the stunning archival footage.
  5. Rarely do adaptations of stage plays work on screen, and almost never do they work as well as this one does. Most remarkably, the dryly comic "Moon" is virtually a one-man show.
  6. Bar-Lev has created a film remarkable in its ability to capture both the worst and best of human nature.
    • New York Daily News
  7. There is a little of all of us in their awkwardness, fears and neuroses, and we root for their success in the mundane as if they were ascending Everest. Elling is still in the running for 2002's most uplifting movie.
    • New York Daily News
  8. A love story told from the point of impact, at the heart, and no conventional resolution could be more profound.
  9. Less bloody than its predecessors, Lady Vengeance wraps up with a killer (literally) finale that calls into question the killer instinct. It's one of the reasons Park's brutal films are so emotionally rewarding.
  10. The stories are eye-opening and heartwarming at the same time, but you'll be moved less by empathy for the characters than by the summoning of your own emotional memories. This movie is personal.
  11. A movie-movie about the movies.
  12. Parents, who are more apt to be bored by the simple story line, are going to be amazed nevertheless by the smooth, convincing animation that lends Stuart his lifelike physicality and expressive facial gestures.
  13. What we need to remember, what Black Hawk Down reminds us, is that there are no safe missions when you're chasing bad guys. Especially when you have to chase them down a hole.
  14. Amy Berg's riveting documentary, tracks O'Grady's predatory trail from San Andreas, Calif., to Ireland, where he is now living on a church pension that was apparently meant to buy his silence.
  15. Bujalski celebrates the awkwardness of twentysomething life, allowing Dollenmayer to create a beautifully authentic portrait.
  16. Moore's most assured, least antagonistic and potentially most important film.
  17. Caché seems at first glance like a straightforward thriller - about a talk-show host being stalked by a technologically savvy blackmailer. But it's really a sly, subversive commentary on conscience, race, class and inequity.
  18. A brilliant and astounding black comedy.
  19. A haunting, melancholy work.
  20. This is a wickedly funny skewering of a prewar London society gone mad with frivolity.
  21. A smartly written, confidently directed film that delivers big laughs while developing two of the year's most earnest characters and some of its most rewarding sentiments.
  22. Production and direction wise, Wilder sustains his usual excellence. But his story is controversial and I am not one of those who can quite see The Apartment as the great comedy-drama he evidently intended it to be. He oversteps the bounds of good taste.
  23. The combination of old-time Hollywood valor and ahead-of-its-time surprises makes this restoration a big event.
  24. Million Dollar Baby is a knockout. It is Clint Eastwood's baby in every respect — a movie that approaches the level of great boxing films, like "Raging Bull," by using sport as a metaphor for human nature.
  25. It's the rare film, Dogma or otherwise, that keeps you smiling long after the lights come up.
    • New York Daily News
  26. Like watching an American teen-sex comedy through a glass darkly.
    • New York Daily News
  27. It's not his most satisfying, full-bodied work, though it does provide many of the Woo pleasures. [18 Jun 1993]
    • New York Daily News
  28. After all the observations on heartache, politics, art, commerce, passion, identity, mortality, even mental health, six hours begin to seem downright compact.
  29. The black-and-white animation won't dazzle your eyes, but everything else about Marjane Satrapi and Vincent Paronnaud's adaptation of Satrapi's graphic comic book series Persepolis will hold you in its thrall.
  30. Whatever it is you're looking for - comedy, horror, parades of singing frogs and dancing kitchen appliances - you'll find it in Satoshi Kon's anime adventure, a jaw-dropping feat of imagination.

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