New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. In his feature film debut, Little uses washed-out color and a you-are-there immediacy to tell a powerful wartime tale of survival, morality and honor.
  2. Roberts carries the film in the best sense, by taking us on a human journey of genuine discovery and growth.
  3. If it doesn't shed much light on the violinist's personal life, it certainly conveys how personally she relates to her work.
  4. This is a very tender portrayal of young people caught up in a blisteringly fast and cynical world, and though their music is hideous, they are a compelling act.
  5. The movie doesn't remind me so much of the movies of Minnelli or Sirk as it does a lavish parody of "Upstairs, Downstairs," with musical interludes (the divas sing, whether they can or not) that are often as painful to watch as they are audaciously performed.
  6. The actors elevate what might have been fluff into a genuinely moving tale, and the action is so much fun that it doesn't even matter if you've seen Molière's plays before.
  7. This sensitive drama will appeal to anyone who has strained against the confines of family - or basked happily in its comforts.
  8. Hits so hard because it feels so real.
    • New York Daily News
  9. I'm not sure how tolerable this would be without Palmer's charm, because this is a formulated script where everything is tied up in perfect bows, just like life isn't.
  10. The song for which Piaf is best-known - "Non, Je Ne Regrette Rien" ("No Regrets") - leads to a killer finale with Cotillard perfectly lip-synching Piaf's recording of it. Trust me; you'll want to own it.
  11. Hickenlooper does a nice job blending Bingenheimer's flashy past with his somewhat pathetic present, creating a genuinely compelling study in diminishing returns.
  12. This is one of the scariest movies featuring female heroines since the "Alien" series, and what makes it uniquely scary is where these women are -- in tunnels two miles under ground -- when they realize they are not alone.
  13. An intelligent, old-fashioned nail-biter.
  14. This is first-rate stuff.
  15. Must be the smartest -- and most disturbing -- movie about parenthood in ages.
    • New York Daily News
  16. Tapping into the basest fears of war while subverting all expectations, director Susanne Bier deftly reads between the headlines.
  17. A small movie that plays like a Western epic.
  18. It's hard not to like a movie so determined to make you feel the love of a family, to make you feel that every dream can become a reality and that every mortgage - no matter how close to foreclosure - can be rescued by the sudden death of a family member and his inheritance.
  19. Though we had just heard the name Lee Harvey Oswald, I believed he had done it alone. I still do, even more so after watching Robert Stone's meticulously researched, seemingly unbiased summary of the killing and the major conspiracy theories.
  20. The film's greatest strength is its inadvertent timeliness. Parallels between LBJ's Vietnam policy and George W. Bush's Iraq policy go off in your head like flares.
  21. Once in a very long while, a truly memorable romantic teen comedy comes along. The Girl Next Door is one.
  22. Showing the movie would be a great way to open a debate. I would love to hear its charges answered as clearly as they're stated.
  23. A charming little valentine to the mysteries of attraction.
  24. It's a must for those who like thrills laced with a sense of humor.
  25. Naive or wicked, idealist or egomaniac: Nothing in Ralph Nader's character is agreed upon by everyone in this fascinating biography - with one exception. And the title says it all.
  26. It's no easy trick to invite viewers into an utterly bleak setting populated by the dissatisfied and small-minded. But a droll script and generally deft direction make the Icelandic chill surprisingly inviting.
  27. When it comes to cute, this baby is off the charts.
  28. A visually lush and eerily enigmatic parable of female sexuality, Lucile Hadzihalilovic's ominous fairy tale raises questions you'll be wondering about for days.
  29. The result is both tragic and darkly comic - in this complex environment, blame and sorrow are locked in a partnership of absurdity.
  30. Though there is enough haute couture on display for a season of "Sex and the City" envy, it has definite off-the-rack appeal to regular moviegoers. In fact, it may be the one film this year where you'll see Manolo Blahniks and Doc Martens on women sitting in the same row.
  31. A thorough, gutsy and appropriately scuzzy-looking documentary.
  32. Ya-Ya Sisterhood is so divine. It offers a world where friendship is forever, the half-empty glass is refilled and the men are perfect.
    • New York Daily News
  33. Bittersweet, funny, sad and invariably romantic.
  34. The unlikely cowboys play off each other's strengths like the best doubles team in tennis. The exquisiteness of this match is that Chan and Wilson are both reactive comedy actors.
  35. If Michele Ohayon's absorbing documentary didn't provide the proof, you'd never believe the story she tells about Holocaust survivors Jack Polak and Ina Soep.
  36. The Hammer benefits from Carolla's low-energy, low-impact style. He doesn't so much deliver quips as let them dribble out the side of his mouth.
  37. There's nothing new here, but Frank provides a genial reminder that politics doesn't always have to take the low road.
  38. Blood, grotesquerie and humor mix equally in the first two, but the full combo makes a savory witches' brew for Asian-cinema cultists (or Halloween lovers in need of a gore fix).
  39. With Chomsky as its star, this documentary cannot go far wrong, even though filmmaker John Junkerman intersperses Chomsky footage with some really bad Japanese pop music.
  40. A reverse male-bonding tale unlike anything you've ever seen. And it's not the easiest good movie to sit through.
  41. A funny and insightful exploration into identity issues we all can recognize.
  42. As good as Nolte is, the relatively unknown Morgan matches him scene for scene. And he's not the only impressive newcomer. Remarkably, this confident indie is the first feature from writer-director Ponsoldt, who shuns any slickness to embrace the rough edges of his low-budget, bare-bones story.
  43. This is a vital history lesson that many of us have missed but few are likely to forget.
  44. The result is a galvanizing mix of intellectual discourse and guillotined heads.
    • New York Daily News
  45. Carrey gives an otherworldly, possessed performance as Kaufman.
  46. A quirky comedy-drama that gets the bulk of its humor from the well-placed non sequitur. It never seems to be going where you think it is, and that includes its oddly endearing dialogue.
  47. No masterpiece, but in a season dominated by films as heavy -- and about as time-consuming -- as brain surgery, a little brain candy is sweet.
  48. There's a sensational, highly original performance by Swinton.
  49. Crushingly realistic.
  50. The real highlight is watching the dancers as they progress from their first, tentative improvisations to the final, complex performance.
  51. What makes it work so well is superb chemistry and a light touch. The spray-painted cat scene doesn't hurt, either.
  52. The humor is simple but far from dumb. The dueling "walk-off" between rival male mannequins is inspired, as are the sly juxtapositions of the male model's faux physicality with such real-world demands as coal mining.
  53. This kind of parody is hard to sustain for an hour and a half, and "Walk Hard" does gets wearying at times. But the humor is so outrageous, the original music so much fun and Reilly so good - both while hamming it up in the role and in singing the songs - that it's irresistible.
  54. If ever a movie could convince the masses to don communal shoes, this is the one.
  55. A richly inventive, slightly eerie animated movie from Japan.
  56. It's a pleasure to watch a thinking-man's actor like Sinise adapt so easily to this challenge; he even keeps his dignity when forced to participate in the inevitable martial arts-inflected showdown.
  57. In this documentary, I learn there are people who can solve a Monday New York Times puzzle in less than three minutes - without looking words up! I don't necessarily want to know these people, but they put on a good show at the annual crossword championship in Stamford, Ct., which is the centerpiece of this affectionate, smartly-done promo for puzzling.
  58. Its story, characters, dialogue, humor and voice performances are first-rate.
    • New York Daily News
  59. The movie is fast and fun. Best of all are the actors, who likewise seem to know they've lucked into a rare good gig.
  60. It's the next best thing to being front and center.
  61. Once in a Lifetime performs a belated autopsy on the Cosmos and the North American Soccer League and basically concludes that they died of impatience.
  62. Listen closely: It's the sound of a million Who fans cheering.
  63. Thornton, directing his first film since the minimalist "Sling Blade" (1996), has a much better grip on the material when he's focused on the scruffy desert landscape and the adventures of the two Texans.
  64. I'm not sure the filmmakers - one, Harry Thomason, is a long-time Friend of Bill - have connected enough dots to prove a "vast" conspiracy. But that many people devoted much of their lives and resources to destroying Clinton is indisputable.
  65. In keeping with the unrefined spirit of the '70s, the movie is deliberately haphazard and proudly retains all its mistakes, including narrator Sean Penn going up on his lines.
    • New York Daily News
  66. Takashi is a master of the jagged quick cut and the shocker finish, and his head-spinning story is pumped up with almost more bravado than a single screen can handle.
  67. With more than a passing nod to the Hollywood mob movie, Pavel Lounguine ("Luna Park") crafts this superb post-Soviet "Godfather" movie loosely based on the exploits of bad boy billionaire Boris Berezovsky.
  68. Armed with a witty script, Winick and the actors so confidently ply the Oedipal waters that the comedy seems sweetly chaste.
  69. As pat as some of its conclusions may seem, this low-budget effort has charm, fine acting and one of the few realistic screen depictions of the awkward dynamics of a family trying to circle its wagons.
  70. Smith turns it on with co-star Eva Mendes in a manner that will have George Clooney taking notes.
  71. Travels so deeply into the confusions of female adolescence that you'd never know this deceptively languid British film was directed by a Polish-born man.
  72. One of the most delightful movies to come along this year.
  73. The town's entrenched racism is impossible to ignore, but the efforts toward change make a compelling history.
  74. That's what Bond is all about -- dazzle, some really bad puns and the kind of sexy fun that satisfies high-school urges while masquerading in tux and tails.
  75. In addition to the strong script, the ensemble performances are topnotch, with no one hogging the limelight.
  76. What "Capote" fails to reveal to the audience is the sense of a homoerotic attraction between the author and Perry Smith (Clifton Collins Jr.). It is more than implied that one exists, but there isn't a scene between them that supports it or even makes it believable.
  77. Too long by about 20 minutes, and takes itself too seriously near the end. But if you're looking for a movie for a boys' night out, it's a winner.
  78. The actors seem exhilarated.
  79. The best performance is by Rampling. (The) camera hangs on her, knowing that nothing escapes those wise, sad-lidded eyes.
  80. Best of all, and worth the price of admission, is Cedric the Entertainer.
  81. Overly polished, but deeply affecting, documentary.
  82. A reasonable facsimile of a perversely funny book whose odd characters are given life by a terrific cast.
  83. Unapologetically graphic and slightly marred by an artistic awkwardness, this is a rare and worthwhile glimpse into another nation's historical legend.
  84. Slick entertainment.
  85. A thoroughly entertaining animated comedy that's sweet enough for the youngest moviegoers, and smart enough for the most cynical chaperone.
  86. In a hilarious bit of actorly sleight-of-hand, Holm (who is not new to the role of Napoleon, having it played it twice before) slips effortlessly from emperor to impostor.
    • New York Daily News
  87. Deftly composed of many small moments, this gentle Israeli film skirts politics to portray a family that is blessedly normal in its internal chaos.
  88. If you can overcome the graphic nature of its casual violence, it is a lot of fun. The banter among the brothers is well-written and has a genuine fraternal feel to it. And the chases and shootouts have a fresh malevolence to them.
  89. Made for $1 million, its production values are raw and Nicholas makes at least one too many obvious choices himself. But its very rawness adds to its creepiness and keeps us in suspense in ways most studio movies don't.
  90. Cage is a wonderful light comedian; were someone to remake "It's a Wonderful Life," he'd be on the short list for the role of George Bailey. And Leoni is Donna Reed, reborn.
  91. The tension and intrigue between the pretender and his would-be associates is as dense as the woods surrounding their hiding place.
  92. The daring, funny and quirkily erotic Secretary examines power exchanges between consenting adults in a way that other movies have not managed without turning off swaths of the squeamish.
  93. Unflinching in its depiction of racism, anti-Semitism, violence and jailhouse politics.
  94. Of them all, only McCartney looks out of place, perhaps mistaking the venue for Vegas. There in a nutshell could be the answer to why the Beatles broke up.
  95. In a feat of truly impressive cinematic finesse, Hendricks manages to capture every possible angle, from below a soaring motorcycle to atop a speeding luger's helmet.
    • New York Daily News
  96. It's no small trick to blend fantasy, slapstick and genuine emotion, but Ellis pulls it off with whimsy to spare.
  97. Although we never feel any true connection to the enigmatic actress, there's no denying the inventiveness of Kon's homage to the possibilities of cinema.
  98. By the end, you may not know whether you've seen a ghost story or a story of delusional obsession, but you'll have had a great time.
  99. There are many ways to say that war is hell, but few filmmakers have said it with as much imagination, humor, intrigue and humanity as Jean-Pierre Jeunet in A Very Long Engagement.
  100. A raunchy, irreverent, generally hilarious sendup of ritual and papal decree.

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