For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
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Reviewed by
Gary Goldstein
"Ain't in It" offers a warm and largely satisfying look at a man and his music and, for some, the end of an era.- Los Angeles Times
- Posted Jun 12, 2013
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Reviewed by
Kenneth Turan
At its heart Lore qualifies as a coming-of-age story, but it is far from the ones we usually see.- Los Angeles Times
- Posted Feb 7, 2013
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Reviewed by
Gary Goldstein
It’s a haunting and masterful effort, but be warned: This is tough stuff.- Los Angeles Times
- Posted Aug 9, 2018
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Reviewed by
Justin Chang
Its imperfections and its beauties are inextricable from each other, and also from the sad, inspiring real-life story it has to tell.- Los Angeles Times
- Posted Jun 24, 2021
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Reviewed by
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Reviewed by
Sheila Benson
The summer's uncorseted, unqualified delight. [14 July 1989, Calendar, p.6-1]- Los Angeles Times
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Reviewed by
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Reviewed by
Kenneth Turan
In a sea of one-note symphonies, this touching feature is bleak and comic, heartbreaking and affirmative, romantic and tragic, gimlet-eyed and sympathetic, all at the same time.- Los Angeles Times
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Reviewed by
Kenneth Turan
A recklessly emotional film that is so committed to feelings it occasionally overflows its banks. Which may be a little messy, but it's a lot more welcome than the drought-stricken alternatives.- Los Angeles Times
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Reviewed by
Robert Abele
Overall, Corsage shows a tantalizing way forward for the hopelessly staid biopic genre: honoring, provoking and upending with verve and humor as it liberates a complex woman from iconography’s deadening glamour.- Los Angeles Times
- Posted Dec 28, 2022
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Reviewed by
Mark Olsen
Hara-Kiri builds and builds as well, but its revelations are more character-derived that action-oriented, so the film never reaches the cattle-on-fire craziness of its predecessor.- Los Angeles Times
- Posted Jul 19, 2012
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Reviewed by
Robert Abele
The ambitions toward '70s-era paranoia thrillers aside, as a connect-the-dots narrative, Dirty Wars is eye-opening, a fierce argument that there are chilling ramifications to endless, vague aggression.- Los Angeles Times
- Posted Jun 6, 2013
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Reviewed by
Kenneth Turan
A wild at heart, anarchic comedy that believes in living dangerously.- Los Angeles Times
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Reviewed by
Kenneth Turan
One of those special films that broadens and deepens as it goes on.- Los Angeles Times
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Reviewed by
Kenneth Turan
If people here feel trapped, despairing of a way out, it is Singleton's gift to make us empathize with their hopelessness, and make us wonder, along with them, how long this must go on.- Los Angeles Times
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Reviewed by
Robert Abele
Thankfully, filmmaker Bruce David Klein finds the sweet spot between admirer and honest broker with the warm, engaging tribute biodoc Liza: A Truly Terrific Absolutely True Story.- Los Angeles Times
- Posted Jan 30, 2025
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Reviewed by
Robert Abele
Cohn’s slickly edited verité-style storytelling lets each person’s humanity rise to the top, just enough to mix expected poignancy with a simple clarity about the struggles of low-income, opportunity-challenged souls.- Los Angeles Times
- Posted Jun 22, 2017
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Reviewed by
Justin Chang
Red Rocket is both a laser-focused character study and a scrappy, scrupulously observed portrait of a tight-knit community.- Los Angeles Times
- Posted Dec 10, 2021
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Reviewed by
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Reviewed by
Kenneth Turan
James Mangold directs it with such energy and passion that it's as if he didn't know it's all been done before.- Los Angeles Times
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Reviewed by
Kenneth Turan
With Fassbender's charisma igniting his costar as well as himself, these sparring interchanges, both captivating and entertaining, are where this Jane Eyre finally catches fire.- Los Angeles Times
- Posted Mar 10, 2011
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Reviewed by
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Reviewed by
Kenneth Turan
Wolf Children is rather an odd story, told in a one-of-a-kind style that feels equal parts sentimental, somber and strange.- Los Angeles Times
- Posted Sep 26, 2013
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Reviewed by
Gary Goldstein
Mosallam’s incisive and heartfelt, if occasionally on-the-nose, approach to matters of love, religion, family and culture sets the film apart.- Los Angeles Times
- Posted Jan 22, 2021
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Reviewed by
Kenneth Turan
A gloss on the disillusion that came with the embracing of communist ideals that is part playful farce, part dark satire, this unclassifiable film, both comic and strange, always holds your attention even when it doesn't seem to know where it's going.- Los Angeles Times
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Reviewed by
Kenneth Turan
"Monster" is almost too ambitious to be completely realized. But when it works, which is most of the time, its story has a power which lingers in the mind.- Los Angeles Times
- Posted Dec 22, 2016
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Reviewed by
Betsy Sharkey
The film is deeply moving yet never maudlin in telling this hard-knocks-but-hope-infused story.- Los Angeles Times
- Posted Jun 16, 2011
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- Los Angeles Times
- Posted Sep 23, 2017
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Reviewed by
Carina Chocano
It's a grisly but sweet ode to friendship, love and the George Romero zombie trilogy.- Los Angeles Times
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Reviewed by
Kenneth Turan
Their Finest is a treat that has something on its mind, a charming concoction that adds a bit of texture and bite to the mix. Genial and engaging with a fine sense of humor, it makes blending the comic with the serious look simpler than it actually is.- Los Angeles Times
- Posted Apr 6, 2017
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Reviewed by
Noel Murray
Creepy uses silence as a tool of terror, following its characters through long, tense scenes where everything’s a little too quiet, and where each creak sounds like a scream. The director has always excelled at making the ordinary seem unsettling.- Los Angeles Times
- Posted Oct 20, 2016
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Reviewed by
Justin Chang
The movie naturally pulses with life and energy, invigorated by its narrative sweep, its nimble camerawork and propulsive musical score composed by Danny Bensi and Saunder Jurriaans. But Bahrani scrupulously resists the temptation to turn India into a flashy, exoticizing spectacle, as more than a few critics accused “Slumdog Millionaire” of doing.- Los Angeles Times
- Posted Jan 22, 2021
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Reviewed by
Kenneth Turan
A fearless and ambitious piece of work, made with equal parts passion and calculation, an unapologetically entertaining major studio release with compelling real-world relevance, a film that takes numerous risks and thrives on them all.- Los Angeles Times
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Reviewed by
Kevin Crust
For anyone missing this summer’s Tokyo Olympics, postponed to March, Rising Phoenix is a fitting bridge for one night, resoundingly demonstrating that an athlete is an athlete. You will never watch the games in the same way.- Los Angeles Times
- Posted Aug 27, 2020
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