Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. This remarkably revealing and timely film, in which the depiction of pain and sorrow is suffused with a sense of beauty and a graceful, flowing style, more than lives up to glowing advance notices.
  2. Nothing prepares us adequately for the cool of his screenwriter, 29-year-old Hanif Kureishi, nor for the audacity, complexity and depth of his themes.
  3. Preferring to maintain his focus on the tender relationship between father and son, as well as the gently amusing camaraderie that exists among groups of males in both countries, Koguashvili challenges conventional notions of masculinity to often delightful effect.
  4. The movie glides by so unassumingly, you may be stunned how moved you are by the end.
  5. Proves a highly auspicious feature debut for Moors and Porto as well as a much-deserved return to the limelight for Washington. Don't miss it.
  6. Theater lovers and Italophiles alike should savor the documentary Spettacolo.
  7. The writing crackles, and Miller doesn’t waste time getting right at the meat of the story.
  8. In his feature debut, writer-director John Mangold brings remarkably sensitive powers of observation to bear upon ordinary people living ordinary lives.
  9. Of course, "It Happens One Night" comes to mind, but The Sure Thing is so sparkling and original in its humor, so perceptive about human nature in its own right, that its key elements seem classic, not carbons.
  10. The cast and creative team’s memories are vivid and moving, as they describe — often while on the verge of tears — how this experience changed their lives, forged tight friendships and transformed their understanding of art, performance and what it means to be alive.
  11. Greg Mottola has taken that most overdone of contemporary genres, the coming-of-age story, and made it engaging, bittersweet and even fun.
  12. It's a can't-miss effort that knows how to please.
  13. Unapologetically emotional and impeccably made in the classic manner, it tells the kind of potent, many-sided story whose unforeseen complexities can come only courtesy of a life that lived them all.
  14. From moment to moment the low-key intrigue threatens to slip into Hitchcock territory; when it does, it's not in the form of high-wire suspense but in a burst of understated playfulness.
  15. It is at its most vibrant when re-creating the energy of Tribe's original moment in the late '80s and early '90s, when the musicians brought a spirited, playful artfulness to the sometimes drearily self-serious world of hip-hop.
  16. In 70 short minutes, directors Dennis Scholl and Kareem Tabsch skillfully pack their Miami Beach-centric documentary, The Last Resort, with a wealth of visual, emotional, social, cultural and historical significance.
  17. What starts as a biography turns into a detective thriller as Green crisscrosses the globe, searching for clues as to why Guy-Blaché has been forgotten.
    • 76 Metascore
    • 70 Critic Score
    For viewers fascinated by punk's buffoonish energy and its slashing, guerrilla warfare against pop culture, Sid and Nancy offers a compelling portrait of two pathetic souls who overdosed on pain and unhappiness.
  18. Exact and exacting, made with formidable skill and unwavering focus, Lady Macbeth is a film that demands to be admired and cares little if you actually like it.
  19. Smartly plotted by newcomer Russell Gewirtz and smoothly directed by, of all people, Spike Lee, Inside Man is a deft and satisfying entertainment, an elegant, expertly acted puzzler that is just off-base and out-of-the-ordinary enough to keep us consistently involved.
  20. By its bittersweet end, Fifi Howls From Happiness has stayed almost entirely in one apartment and yet somehow unveiled both a life in full and a blank canvas.
  21. It rewards the attention of a committed voyeur, which all proper cineastes and many of our best provocateurs are anyway. The pinched of mind and the humorless need not bother. Invariably more welcome (one imagines Oren thinking) are those who enjoy their senses and perspectives pried open while their heads get a thorough scratching.
  22. This is definitely animation for grown-ups - its look is voluptuous, sexy and sultry; its Latin-inflected Dizzy Gillespie sound is seductive; and its story of young lovers whose passions are tested is timeless.
  23. Assayas has such a steady hand as a director, he knows precisely how to let all of Gilles' inner angst play out. His nostalgia for those past days can be felt in the affection and forgiving way the indiscretions of youth are portrayed.
  24. In charting that road from disorienting fragility to determined independence, Ebrahimi serves up a memorably nuanced performance.
  25. Murphy is back, and both his old gifts and some new ones are on engaging display in the rowdy, raunchy, inescapably funny Dolemite Is My Name, a gleefully profane biopic and a passion project the star has been nurturing for years.
  26. A unique glimpse into the recovery mechanism of damaged hearts and bewildered minds, how a visage of hollowed-out sorrow after one year becomes a look of more peaceful acceptance down the road.
  27. Blessed with a loose, anarchic B-picture soul that encourages you to enjoy yourself even when you're not quite sure what's going on, the scruffy "Guardians" is irreverent in a way that can bring the first "Star Wars" to mind.

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