For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
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Reviewed by
Justin Chang
Introduction’s economy is deceptive, its staying power surprising.- Los Angeles Times
- Posted Jan 28, 2022
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Betsy Sharkey
The film belongs to Foster. The actor always makes the most of what is handed him, though he's usually required to find his footings around the margins, as he did as the crazed cowboy in "3:10 to Yuma" or the crazed druggie in "Alpha Dog."- Los Angeles Times
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Glenn Whipp
Practice has delivered something close to perfection as this new film offers a startling experience that takes you down into the Great Barrier Reef without the expense, hypothermia or oxygen tanks.- Los Angeles Times
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Kevin Thomas
A masterpiece by any measure, is fresh, immediate and contemporary, but its wintry yet warm perspective is suffused with the wisdom and experience of a great filmmaker who turns 85 on June 2.- Los Angeles Times
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Kevin Thomas
It's a satisfying comedy in which the humor actually develops from character rather than plot. [15 Mar 1987, p.5]- Los Angeles Times
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Kenneth Turan
A performer of formidable self-absorption, Johnston has inspired a film with the same trait, and the results are about what you might expect.- Los Angeles Times
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Betsy Sharkey
There is bitter and breathtaking truth in the story and in the story- telling, which won Fukunaga the directing and cinematography award in the dramatic competition at the Sundance Film Festival.- Los Angeles Times
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Katie Walsh
Like many music documentaries, this film suffers from the tendency to reiterate its point too often.- Los Angeles Times
- Posted Jun 22, 2015
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Reviewed by
Michael Ordoña
While it’s sometimes dizzying in its visuals or its joy, it’s often not cute. It can be fun, even exhilarating. It can also carry the emotional impact of loss.- Los Angeles Times
- Posted Jun 10, 2020
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Kenneth Turan
A chilling portrait of how fanaticism can grow and be enabled, this is a matter-of-fact film that moves with an awful inexorability toward its foregone conclusion.- Los Angeles Times
- Posted Feb 6, 2020
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Justin Chang
This is a profound and difficult film, an attempt to grapple with the existence and mindless perpetuation of evil, and to suggest both the fleeting satisfaction and the eternal futility of vengeance. Nothing about it is easy, and everything it shows us matters.- Los Angeles Times
- Posted Jan 31, 2019
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Reviewed by
Kenneth Turan
These kinds of merciless conditions lead to a culture that is stoic about life and death and a story that will surprise you by its willingness to embrace that unsentimental natural world.- Los Angeles Times
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Reviewed by
Kenneth Turan
A ferocious psychological drama with the pace of a thriller, Child's Pose combines, as have the best of the Romanian new-wave films, a compelling personal story about mothers and sons with an examination of socio-political dynamics in a way that is both intense and piercingly real.- Los Angeles Times
- Posted Feb 20, 2014
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Michael Sragow
Weitz's film moves from clunky domestic dramedy to genuine feminist odyssey.- Los Angeles Times
- Posted Aug 20, 2015
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Amy Nicholson
Presence is being sold as a ghost story, but it’s more like a family drama disguised under a sheet. The eye holes are the only thing separating it from a thousand other ordinary little films about the injuries people do to those they love. Otherwise, the story doesn’t have enough flesh on its bones to hold our interest.- Los Angeles Times
- Posted Jan 23, 2025
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Reviewed by
Justin Chang
Harding’s story, in this overly broad retelling, is not especially strong on narrative density — or, for that matter, ambiguity.- Los Angeles Times
- Posted Dec 7, 2017
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- Los Angeles Times
- Posted Oct 17, 2013
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Reviewed by
Robert Abele
A striking and maddening delivery system for art house creepinesss.- Los Angeles Times
- Posted Nov 25, 2016
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- Los Angeles Times
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Reviewed by
Kenneth Turan
Ulee's Gold stands out for its sureness, its quiet emotional force and writer-director Victor Nunez's ability to find and nurture the mystery and power in the events of an ordinary life.- Los Angeles Times
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- Los Angeles Times
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- Critic Score
A fascinating exercise in genre reinvention, a showcase for two radically different approaches to homage.- Los Angeles Times
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Reviewed by
Michael Rechtshaffen
A fascinating, skillfully assembled chronicle of the rise and inevitable fallout surrounding the granddaddy of the environmental activism movement.- Los Angeles Times
- Posted Oct 29, 2015
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Gary Goldstein
Clear-eyed, compassionate and compelling, the documentary “The Price of Freedom” efficiently unpacks and debunks the myths it posits the National Rifle Assn. of America has deployed to further its all-guns-all-the-time agenda and foster a culture war.- Los Angeles Times
- Posted Jul 8, 2021
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Reviewed by
Kenneth Turan
Caesar Must Die shows us in the starkest possible terms the electric power of drama to move and touch not only audiences but the actors who bring so much of themselves to their performances.- Los Angeles Times
- Posted Feb 21, 2013
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Reviewed by
Kevin Thomas
In its leisurely, exceedingly subtle way, The Pool charts Venkatesh's gradual awakening to the larger world.- Los Angeles Times
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Reviewed by
Kenneth Turan
Benda Bilili! earns its exclamation point. It's a feel-good movie that actually makes you feel good, a story that will have you shaking your head in astonishment and moving your feet to some unstoppable rhythms.- Los Angeles Times
- Posted Oct 6, 2011
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Reviewed by
Kenneth Turan
It is the achievement of Gerhard Richter Painting to shine a light on that hidden, private act as few other films have done.- Los Angeles Times
- Posted Jun 15, 2012
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Robert Abele
Think Guy Maddin as the long-lost seventh Python. But it’s also one of the more vivid and amusing excursions in a year marked by unclassifiable realities and the need for diverting art.- Los Angeles Times
- Posted Nov 19, 2020
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Reviewed by
Mark Olsen
The film acutely captures the topsy-turvy uncertainty of life during wartime, where there's Burger King and land mines and Pizza Hut and snipers.- Los Angeles Times
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