Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Introduction’s economy is deceptive, its staying power surprising.
  2. The film belongs to Foster. The actor always makes the most of what is handed him, though he's usually required to find his footings around the margins, as he did as the crazed cowboy in "3:10 to Yuma" or the crazed druggie in "Alpha Dog."
  3. Practice has delivered something close to perfection as this new film offers a startling experience that takes you down into the Great Barrier Reef without the expense, hypothermia or oxygen tanks.
  4. A masterpiece by any measure, is fresh, immediate and contemporary, but its wintry yet warm perspective is suffused with the wisdom and experience of a great filmmaker who turns 85 on June 2.
  5. It's a satisfying comedy in which the humor actually develops from character rather than plot. [15 Mar 1987, p.5]
    • Los Angeles Times
  6. A performer of formidable self-absorption, Johnston has inspired a film with the same trait, and the results are about what you might expect.
  7. There is bitter and breathtaking truth in the story and in the story- telling, which won Fukunaga the directing and cinematography award in the dramatic competition at the Sundance Film Festival.
  8. Like many music documentaries, this film suffers from the tendency to reiterate its point too often.
  9. While it’s sometimes dizzying in its visuals or its joy, it’s often not cute. It can be fun, even exhilarating. It can also carry the emotional impact of loss.
  10. A chilling portrait of how fanaticism can grow and be enabled, this is a matter-of-fact film that moves with an awful inexorability toward its foregone conclusion.
  11. This is a profound and difficult film, an attempt to grapple with the existence and mindless perpetuation of evil, and to suggest both the fleeting satisfaction and the eternal futility of vengeance. Nothing about it is easy, and everything it shows us matters.
  12. These kinds of merciless conditions lead to a culture that is stoic about life and death and a story that will surprise you by its willingness to embrace that unsentimental natural world.
  13. A ferocious psychological drama with the pace of a thriller, Child's Pose combines, as have the best of the Romanian new-wave films, a compelling personal story about mothers and sons with an examination of socio-political dynamics in a way that is both intense and piercingly real.
  14. Weitz's film moves from clunky domestic dramedy to genuine feminist odyssey.
  15. Presence is being sold as a ghost story, but it’s more like a family drama disguised under a sheet. The eye holes are the only thing separating it from a thousand other ordinary little films about the injuries people do to those they love. Otherwise, the story doesn’t have enough flesh on its bones to hold our interest.
  16. Harding’s story, in this overly broad retelling, is not especially strong on narrative density — or, for that matter, ambiguity.
  17. [An] incisive and absorbing documentary.
  18. A striking and maddening delivery system for art house creepinesss.
  19. The film's concluding sequence is bound to polarize audiences.
  20. Ulee's Gold stands out for its sureness, its quiet emotional force and writer-director Victor Nunez's ability to find and nurture the mystery and power in the events of an ordinary life.
  21. A film of stunning impact.
    • 77 Metascore
    • 80 Critic Score
    A fascinating exercise in genre reinvention, a showcase for two radically different approaches to homage.
  22. A fascinating, skillfully assembled chronicle of the rise and inevitable fallout surrounding the granddaddy of the environmental activism movement.
  23. Clear-eyed, compassionate and compelling, the documentary “The Price of Freedom” efficiently unpacks and debunks the myths it posits the National Rifle Assn. of America has deployed to further its all-guns-all-the-time agenda and foster a culture war.
  24. Caesar Must Die shows us in the starkest possible terms the electric power of drama to move and touch not only audiences but the actors who bring so much of themselves to their performances.
  25. In its leisurely, exceedingly subtle way, The Pool charts Venkatesh's gradual awakening to the larger world.
  26. Benda Bilili! earns its exclamation point. It's a feel-good movie that actually makes you feel good, a story that will have you shaking your head in astonishment and moving your feet to some unstoppable rhythms.
  27. It is the achievement of Gerhard Richter Painting to shine a light on that hidden, private act as few other films have done.
  28. Think Guy Maddin as the long-lost seventh Python. But it’s also one of the more vivid and amusing excursions in a year marked by unclassifiable realities and the need for diverting art.
  29. The film acutely captures the topsy-turvy uncertainty of life during wartime, where there's Burger King and land mines and Pizza Hut and snipers.

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