For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Abele
What you won't feel is genuine horror, because unlike John Carpenter -- whose original 1978 film is a sly game of nerve-racking peekaboo -- Zombie isn't out to engage fans of the genre with a slaughterhouse bonbon like "Halloween II."- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Betsy Sharkey
It is incredibly tempting to resort to the implied off-color word play made possible by the Focker name and suggest that this third edition is totally - but I won't.- Los Angeles Times
- Posted Dec 21, 2010
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Reviewed by
Kenneth Turan
Fake or not, I'm Still Here is no fun to watch, and in fact Phoenix's situation comes off as so dire that it becomes a reason to doubt the film's authenticity. Filming someone having a mental breakdown is embarrassing and exploitative at best.- Los Angeles Times
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Reviewed by
Gary Goldstein
Sadly, there's not an ounce of tension or a single decent scare to be found amid any of this convoluted mayhem.- Los Angeles Times
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Reviewed by
Kenneth Turan
Not just any kind of trash, it's high-art trash, a kind of "When Tutu Goes Psycho" that so prizes hysteria over sanity that it's worth your life to tell when its characters are hallucinating and when they're not.- Los Angeles Times
- Posted Dec 6, 2010
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Robert Abele
This hollow downer about deep wells of male anger, wallowing regret and mental disintegration is ultimately a thematic cop-out.- Los Angeles Times
- Posted Oct 21, 2010
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Robert Abele
South Korean filmmaker Sngmoo Lee's debut feature is less a genre-spanning romp than a tiresome lab experiment in computer-generated tropes and green-screen oppressiveness.- Los Angeles Times
- Posted Dec 6, 2010
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Reviewed by
Robert Abele
As a misfit-centric slap at religious conformity, the story's premise couldn't be more primed for trenchant social comedy, but screenwriter Knight and director Eyad Zahra opt for maintaining a thin veneer of tiresome obnoxiousness over exploring the contours of an emotionally complicated subculture.- Los Angeles Times
- Posted Nov 11, 2010
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Gary Goldstein
Your Thanksgiving turkey has arrived on schedule and it's called The Nutcracker in 3D.- Los Angeles Times
- Posted Nov 23, 2010
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Kevin Thomas
GhettoPhysics undercuts its approach with too much cant, too much rambling and too much that is self-evident.- Los Angeles Times
- Posted Oct 21, 2010
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Reviewed by
Robert Abele
Gone is the scrappy, brutal wit of the original - nothing more than an unfettered showcase for Jaa's talents - and in its place is more of the overwrought myth making that sunk "Ong Bak 2: The Beginning."- Los Angeles Times
- Posted Jan 20, 2011
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Reviewed by
Mark Olsen
A poorly structured and even more poorly shot mixture of a gothic suspense thriller with a vanilla romance filmed in Des Moines, Dead Awake never comes close to springing to life.- Los Angeles Times
- Posted Dec 9, 2010
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Reviewed by
Mark Olsen
Season of the Witch is at its worst when it tries to be a straight-ahead action-adventure film. The early sequence set against the epic battles of the Crusades is almost brazenly bad with its unconvincing "300"-style special effects.- Los Angeles Times
- Posted Jan 6, 2011
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Reviewed by
Betsy Sharkey
Meanwhile, Mirren, that grande dame of cinema, just seems tired. And who could blame her? She's in the midst of this disaster, literally and figuratively dying right in front of us. Made me want to cry, just not for Arthur.- Los Angeles Times
- Posted Apr 7, 2011
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Robert Abele
When Rebecca De Mornay shows up as the criminals' fiercely doting matriarch, the ready crackle of her studiously demonic performance brings welcome distraction from this otherwise crude litany of torture and wretched death.- Los Angeles Times
- Posted May 3, 2012
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Reviewed by
Sheri Linden
This soapy drama manages to be both half-baked and overcooked.- Los Angeles Times
- Posted Feb 3, 2011
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Kevin Thomas
Eventually, Immigration Tango throws away what little credibility it has in going for a finish of total improbability and silliness.- Los Angeles Times
- Posted Feb 17, 2011
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Kenneth Turan
A leaden mash-up of western and science-fiction elements that ends up noisy, grotesque and unappealing.- Los Angeles Times
- Posted Jul 28, 2011
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Betsy Sharkey
This animated-live action hybrid is really more 3-D disaster than family comedy. Even Neil Patrick Harris, who has proved he can save just about any sinking ship, cannot make this boat float.- Los Angeles Times
- Posted Jul 28, 2011
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Kenneth Turan
Larry Crowne is an inside-out movie, acceptable around the edges but hollow and shockingly unconvincing at its core. When that core is two of the biggest movie stars around - Tom Hanks and Julia Roberts - it's an especially dispiriting situation.- Los Angeles Times
- Posted Jun 30, 2011
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Sheri Linden
Most depressing is the spectacle of Debbie Reynolds in the de rigueur Betty White role - Hollywood having relegated seniors to the category of adorably "outrageous" while it caricatures single women as desperate updates on romance-novel heroines.- Los Angeles Times
- Posted Jan 30, 2012
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Betsy Sharkey
I'm going with the filmmakers as the folks most responsible for perpetrating this terribly unfunny and overwhelmingly raunchy film that stars the normally likable, or at least comically forgivable, Jonah Hill. He is neither here.- Los Angeles Times
- Posted Dec 9, 2011
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Mark Olsen
Six has in essence backed himself into a rhetorical corner, leaving as perhaps the only option for his next stunt something in which the filmmaker Tom Six winds up with his mouth surgically attached to his own anus.- Los Angeles Times
- Posted Oct 7, 2011
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Reviewed by
Robert Abele
In the wake of "Bridesmaids," Sandler's lipsticked tomfoolery - and inability to share the screen with genuinely funny women - feels particularly regressive and stale. Both movies have diarrhea gags, but only one feels defined by such humor.- Los Angeles Times
- Posted Nov 10, 2011
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Reviewed by
Robert Abele
The only way to describe this movie's trio of party-throwing protagonists is numbingly predictable, as if writers Michael Bacall and Matt Drake had "Superbad" on a loop in the background.- Los Angeles Times
- Posted Mar 2, 2012
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Betsy Sharkey
A not very good romantic comedy made somewhat bearable by Faris.- Los Angeles Times
- Posted Sep 29, 2011
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Sheri Linden
By turns flat and strained, Peep World is a collection of personality disorders in search of a story.- Los Angeles Times
- Posted Mar 24, 2011
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Reviewed by
Robert Abele
Hansel and Gretel are this movie's breakout stars, but it's not enough to make Hoodwinked Too feel like anything but a storybook hurled straight at your head.- Los Angeles Times
- Posted Apr 28, 2011
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Reviewed by
Robert Abele
Stay past the credits, though, and you'll find a tongue-in-cheek rap video recap with the cast - and directed by star Dustin Milligan - that carries the kind of spoofy insouciance missing from the main attraction.- Los Angeles Times
- Posted Sep 2, 2011
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