Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. What you won't feel is genuine horror, because unlike John Carpenter -- whose original 1978 film is a sly game of nerve-racking peekaboo -- Zombie isn't out to engage fans of the genre with a slaughterhouse bonbon like "Halloween II."
  2. Consider Twelve its own memory-retarding narcotic.
  3. It is incredibly tempting to resort to the implied off-color word play made possible by the Focker name and suggest that this third edition is totally - but I won't.
  4. Fake or not, I'm Still Here is no fun to watch, and in fact Phoenix's situation comes off as so dire that it becomes a reason to doubt the film's authenticity. Filming someone having a mental breakdown is embarrassing and exploitative at best.
  5. Sadly, there's not an ounce of tension or a single decent scare to be found amid any of this convoluted mayhem.
  6. Not just any kind of trash, it's high-art trash, a kind of "When Tutu Goes Psycho" that so prizes hysteria over sanity that it's worth your life to tell when its characters are hallucinating and when they're not.
  7. This hollow downer about deep wells of male anger, wallowing regret and mental disintegration is ultimately a thematic cop-out.
  8. South Korean filmmaker Sngmoo Lee's debut feature is less a genre-spanning romp than a tiresome lab experiment in computer-generated tropes and green-screen oppressiveness.
  9. As a misfit-centric slap at religious conformity, the story's premise couldn't be more primed for trenchant social comedy, but screenwriter Knight and director Eyad Zahra opt for maintaining a thin veneer of tiresome obnoxiousness over exploring the contours of an emotionally complicated subculture.
  10. Your Thanksgiving turkey has arrived on schedule and it's called The Nutcracker in 3D.
  11. GhettoPhysics undercuts its approach with too much cant, too much rambling and too much that is self-evident.
  12. Gone is the scrappy, brutal wit of the original - nothing more than an unfettered showcase for Jaa's talents - and in its place is more of the overwrought myth making that sunk "Ong Bak 2: The Beginning."
  13. A poorly structured and even more poorly shot mixture of a gothic suspense thriller with a vanilla romance filmed in Des Moines, Dead Awake never comes close to springing to life.
  14. Season of the Witch is at its worst when it tries to be a straight-ahead action-adventure film. The early sequence set against the epic battles of the Crusades is almost brazenly bad with its unconvincing "300"-style special effects.
  15. Meanwhile, Mirren, that grande dame of cinema, just seems tired. And who could blame her? She's in the midst of this disaster, literally and figuratively dying right in front of us. Made me want to cry, just not for Arthur.
  16. When Rebecca De Mornay shows up as the criminals' fiercely doting matriarch, the ready crackle of her studiously demonic performance brings welcome distraction from this otherwise crude litany of torture and wretched death.
  17. This soapy drama manages to be both half-baked and overcooked.
  18. Eventually, Immigration Tango throws away what little credibility it has in going for a finish of total improbability and silliness.
  19. A leaden mash-up of western and science-fiction elements that ends up noisy, grotesque and unappealing.
  20. This animated-live action hybrid is really more 3-D disaster than family comedy. Even Neil Patrick Harris, who has proved he can save just about any sinking ship, cannot make this boat float.
  21. Larry Crowne is an inside-out movie, acceptable around the edges but hollow and shockingly unconvincing at its core. When that core is two of the biggest movie stars around - Tom Hanks and Julia Roberts - it's an especially dispiriting situation.
  22. Most depressing is the spectacle of Debbie Reynolds in the de rigueur Betty White role - Hollywood having relegated seniors to the category of adorably "outrageous" while it caricatures single women as desperate updates on romance-novel heroines.
  23. I'm going with the filmmakers as the folks most responsible for perpetrating this terribly unfunny and overwhelmingly raunchy film that stars the normally likable, or at least comically forgivable, Jonah Hill. He is neither here.
  24. Six has in essence backed himself into a rhetorical corner, leaving as perhaps the only option for his next stunt something in which the filmmaker Tom Six winds up with his mouth surgically attached to his own anus.
  25. In the wake of "Bridesmaids," Sandler's lipsticked tomfoolery - and inability to share the screen with genuinely funny women - feels particularly regressive and stale. Both movies have diarrhea gags, but only one feels defined by such humor.
  26. The only way to describe this movie's trio of party-throwing protagonists is numbingly predictable, as if writers Michael Bacall and Matt Drake had "Superbad" on a loop in the background.
  27. A not very good romantic comedy made somewhat bearable by Faris.
  28. By turns flat and strained, Peep World is a collection of personality disorders in search of a story.
  29. Hansel and Gretel are this movie's breakout stars, but it's not enough to make Hoodwinked Too feel like anything but a storybook hurled straight at your head.
  30. Stay past the credits, though, and you'll find a tongue-in-cheek rap video recap with the cast - and directed by star Dustin Milligan - that carries the kind of spoofy insouciance missing from the main attraction.

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