For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kevin Thomas
Dust is a bust, a big bad movie of the scope, ambition and bravura that could be made only by a talented filmmaker run amok.- Los Angeles Times
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Reviewed by
Kevin Thomas
Begins on a mildly entertaining note, with each successive vignette the film grows increasingly tedious.- Los Angeles Times
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Reviewed by
Kevin Thomas
An L.A. neo-noir raised to an insufferable degree of artiness.- Los Angeles Times
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Reviewed by
Kevin Thomas
It's too bad this Rollerball veered off-track so swiftly, derailed by bad writing and possibly also by some of that extensive post-production reworking.- Los Angeles Times
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Reviewed by
Kevin Thomas
Looks sensational, moves like lightning. But its script (by Joel Soisson) makes no pretense about being logical or even comprehensible.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kevin Thomas
The best the makers of Down to You can hope for is that girls in their early teens--clearly the film's target audience--will be so carried away by its charismatic stars that they'll overlook the film's various flaws.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kenneth Turan
It's a portrayal so unconvincing it makes it close to impossible for the rest of the film to function as intended.- Los Angeles Times
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Reviewed by
Sheila Benson
Without complexity to its characters, with little balance and without a hint of the personal, family or community issues involved, Colors becomes a movie that never has to ask "Why?"--a vivid, noisy shell of a film filled with eager young actors rattling along on the surface of a lethally important subject. [15 Apr 1988]- Los Angeles Times
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Reviewed by
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- Critic Score
All the sound and fury in the world can't disguise the fact that yowling music, typing montages and computer animation do not a gripping finale make. This movie megabytes.- Los Angeles Times
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Reviewed by
Manohla Dargis
Cast adrift with vague, improbable characters and a plot that's at once under-and overcooked, the actors struggle to find a steady tone, lurching from somber to silly as the director tries to figure out what he's doing.- Los Angeles Times
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Reviewed by
Kevin Thomas
You can't help but feel that Disney has delivered a turkey for Thanksgiving.- Los Angeles Times
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- Critic Score
Peel away the layers of contrivances, however, and the leftover plot barely fills a doggy bag.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Manohla Dargis
Even Phoenix, an actor who can make an incestuous-minded Roman emperor seem sensitive, can't smooth over political nihilism this unsavory.- Los Angeles Times
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Reviewed by
Kevin Thomas
This documentary-like realism, alas, only underlines the preposterousness of its plot with its torrent of contrived, credibility-defying cliffhangers.- Los Angeles Times
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Reviewed by
Kenneth Turan
Buried under the miscalculations, the shamelessness, the off-putting and inappropriate broadness are sporadically visible souvenirs of a good project gone bad, hints of the unusual, bittersweet story that got away.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kevin Thomas
A trite psychological thriller -- all buildup and no payoff, a mystery that essentially offers only two alternative solutions, which diminishes the element of surprise and strings the viewer along way past caring which possibility proves to be true.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Gene Seymour
Gadget instead ends up as another mindless, noisy thrill ride that gorges its audience on bright effects and leaves it queasy from overconsumption.- Los Angeles Times
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Reviewed by
Kevin Thomas
Far from great, and this off-putting French romantic comedy is sure to test severely the indulgence of fans of "Amélie."- Los Angeles Times
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Reviewed by
Kevin Crust
There's some technical dexterity in melding the various formats and capturing some impressive surf footage, but the shaggy dog nature of the story proves exhausting.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kevin Thomas
A tedious comedy... It's not the worst premise for humor dashed with a little wisdom, but the script, written by the film's star Eddie Griffin and others, is less than inspired and tends to blur the line between immaturity and just plain stupidity.- Los Angeles Times
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Reviewed by
Kevin Thomas
Whatever his intentions, Clark, in his third outing as a director, has come up with a film that is seriously flawed.- Los Angeles Times
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Reviewed by
Kevin Crust
More a 99-minute public service announcement about the plight of illegal immigrants than a fully formed drama, the film finds itself in a no-win situation not unlike that of its protagonist.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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- Los Angeles Times
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