If you’ve got the tolerance for terrible and the four hours or less that it takes to beat the game, maybe you’ll have fun groaning at how bad Zombeer is too.

Weeping Doll is the kind of game that looks like it’ll be a scary, enjoyable romp. The visuals make this home come to life in virtual reality, but that’s about the only positive note about the whole experience. Instead of providing a frightening journey, players are greeted with mind-numbing puzzles which only serve to block progression when a player forgets to check certain items.

It’s admirable that Sonic Boom: Rise of Lyric tries so many new things, but every path it follows is a dead end.

Like Birdemic or The Room, Magus is so terrible that it can only be called a masterpiece.

A mess. While the mechanics are slightly unpolished, they still have a similar feel to what we’ve come to expect, which can result in some enjoyable antics. Unfortunately, they are contained in a constrained formula where the player must navigate menu after menu to get into repetitive and uninteresting missions.

Postal 4: No Regerts is a return to form to the cult classic Postal 2. Unfortunately, while it does stay true to what made it successful among its fanbase, it doesn’t raise the bar in any area where it could be considered a great game. For a series known for pushing the envelope, Postal 4 feels like it plays things too safe. The gameplay mechanics are rough around the edges, while the attempts at edgy humor fall short. The potential is there, but regerttably the writers never push it to a level where it would be memorable. What we end up with is a game that is enjoyable but ultimately unremarkable.

This thing is so awful that it isn’t even worth the effort to cram in an obligatory reference to the original films. The real problem is that the likelihood of these criticisms being heard by the person responsible for releasing this mess is practically zero, seeing as how the complaints would be drowned by the deafening sounds of the giant metal clackers required to think this was okay.

With the brilliant heights that remakes of Resident Evil 2, for example, achieved last year, it felt inevitable that a remake like XIII would stand as the exact opposite result in that regard. Whether or not you’re the type to maybe excuse some of the failings as unanswerable solutions to an aged approach to game design, it doesn’t take away from just how little care and effort PlayMagic have placed in the other departments. Enemy intelligence that’s practically non-existent, an overuse on what seems like a meager, hurriedly-compiled assembly of audio and visual assets. On top of a gunplay premise that looks, sounds and feels objectively worse than that of the 2003 Gamecube original. 2020’s XIII is a broken, buggy and boring rendition of a game long-time fans deserve a better interpretation of.

Basement Crawl is a reasonably-priced, well-made game lacking the features to make it a must-have. It simply doesn’t offer enough as a multiplayer-only game to fully recommend as a purchase to anyone other than folks who are dying for Bomberman on the PS4.

Road Rage takes the Road Rash formula and fails to live up to any single entry in that series despite great advances in technology since its last entry — let alone its heyday. The racing action struggles due to poor controls, while the combat rings hollow with poor weapon selection and sub-par sound effects. Glitches and other technical problems muddy the experience further, while a lack of polish on everything makes the game feel like a cash-in on a minor “Road Rash revival” sub-genre.

It saddens me to say that there really isn’t anything redeemable about R.I.P.D.. It’s boring, repetitive, and there really isn’t any circumstance I can think of that would make me recommend it to anyone. I could prolong this depressing review by talking about some of the game’s smaller features, but it would all be for nothing, as they are really just more garbage thrown onto the pile. And I’d much rather rid myself of R.I.P.D. by playing a better game.

If even a ounce of effort was put forward, Brave Battle could have been a guilty pleasure, but instead it wastes everybody’s time with dreadful execution.

This is a game with only two gameplay features: tap the screen and give Square money. It's true that the music is great and the nostalgia value is off the charts, but neither of these things justify a release that is little more than a blatant cash grab.

Fighter Within could have been a demo disc for the power of the Kinect 2.0, but instead is an absolute mess that recalls all of the original sensor’s faults.

BlackSoul takes one step forward and two awkwardly-placed steps back time and time again. What could have been an impressive homage to the horror genre ends up feeling like a soulless bargain bin find.

Those with even a shred of self-respect should head to a seedy truck stop, bowling alley or other similar establishment and use the forty dollars this retails for to instead play the vastly superior The Fast and the Furious arcade game.

This title plays like a sarcastic version of a real game. I don’t mind being mocked if I can laugh along, but this is just mean.

A failed project that should have been scrapped, Ride to Hell: Retribution represents and includes everything bad about video games.

Nothing about this game is good. It's one of the most horrible games ever made.

This is the video game equivalent of Rebecca Black’s Friday, something so terrible that its existence is nothing short of a miracle.

Unfortunately, at $15, it’s hard to recommend even if you’re a PS3-only player since Urban Trial Freestyle does the same thing as this, but better.

Don’t buy this. Don’t show this to friends as a joke. Don’t even say its name out loud. This is the game that shall not be named. This needs to die an unloved death on the Nintendo eShop purchased by absolutely no one.

All said and done, Family Tennis doesn’t quite live up to the smooth experience that Wii Sports offered, and the control tweaks are so slight that they are barely noticeable outside of the anti-wagglefest element.

I power walk regularly every summer. I bring my MP3 player with me that has over a 1000 songs and I can actually lift up my feet while I walk. Not only is it free, but it is infinitely more gratifying than Walk It Out!.

Go in just wanting a good time and Grease can be fun.

Retro Pocket is hurt by some boring games being included, but remains a worthy purchase due to a handful of really fun ones.

It offers up dozens of stages for a small amount of money and is a lot of fun to play.

Sleeping Dogs: Nightmare in North Point is priced accordingly as it's a short and repetitive story that doesn't play to the main game's strengths. It removes Wei Shen out of everything he accomplished and places him in nightmare scenario that's purely tedious and unrewarding. The only redeeming value is that you get to see the lovely Not Ping once more - that and the informative mythos that surrounds the game at an appropriate time.