The Medium is without a doubt Bloober Team's biggest game to date, and it is easily one of its best. The story is captivating as are its characters, and the uneasy journey you take through it feels much like if Stranger Things was set in the Alan Wake universe.

Ronin is potentially a really good game, but repetitive game play as well as a frustrating upgrade system makes it tough to finish to its conclusion.

Spirit Mancer has lots of great ideas and some seriously awesome boss fights, but dull combat against regular enemies really drags it down.

RiMS Racing is an absolutely unique combo of engineer simulation and road race action and a breath of fresh air in the bike sim marketplace.

A few extra bells and whistles would have been appreciated, and the lack of any form of multiplayer beyond leaderboard participation is a definite misstep. Your horror itch might be better scratched by the likes of Outlast and The Evil Within, but Zombi still delivers a solid, immersive experience even without the GamePad wizardry.

It lends itself well to a pair of headphones and a complete disconnect from your expectations of what the artform – and yes, it is an artform – can bring to the table.

Much like its predecessor, The Fall Part 2: Unbound is needlessly obtuse in some of its puzzle design, but its magnificent characters and storytelling make the frustration worth it.

A Void Hope has a great soundtrack and emotional story, but if you're expecting puzzles or platforming then you'll be sorely disappointed.

There’s a lot to like with this remaster and I hope Capcom considers remastering the others for Switch (and PS4 and Xbox One) in the future because some aspects haven’t aged well but this is a damn fine experience. I’ve grown to enjoy playing many older games on handheld systems and Onimusha is best on Switch for me.

A strange beast. It gives us the narrative conclusion we wanted, but in a sequel we arguably didn’t need. It’s fun enough, but never feels essential, and the fact that it’s let down by its combat – which plays such a huge and vital role – means you may reach the final stretch with little emotional investment to spare.

The Invincible is a great walking sim that tells a solid science fiction story, with a likeable protagonist and some strong writing.

Access Denied is a better episode than the last, helping to refocus on the Order of the Stone's adventures, but the standalone nature of the stories are really exposing the weaknesses of the Telltale model.

With no other Switch functionality like touchscreens (which, again, would work really, really well here), and with such a horrendous downgrade, it’s really hard to recommend Mutant Year Zero: Road to Eden even to people who don’t own the other consoles. If you can get past the visuals, then there’s a great adventure here with a big heart and a compelling story, but I think for many people that’s going to be a big ask.

Dark and Deep has some good ideas and some of the environments are well-designed, but movement feels clunky at times.

Samurai Warriors 4 Empires breathes life into a tried and tested formula, helping even the most hardcore Musou fans find something refreshing to experience.

Aer is a pretty game, but ultimately there's little to do and not much to compel you on.

Assassin's Creed Valhalla: Dawn of Ragnarök is the biggest and most ambitious expansion yet, with great new powers to utilise.

Even with the addition of the Traitor mechanic, Lost Dimension falls into the "mostly seen it all before" category of role playing games.

Everything isn’t always awesome, but in small doses it can be.

It's not a game you'd call "fun", but the atmosphere and wealth of tasks and locations make it well worth your time.

Time will tell if Crayta makes an impact on its intended audience, but I sincerely hope it succeeds, because it’s definitely one of the best creative games on the market.

Welcome to ParadiZe has a great sense of humour and super satisfying combat and crafting systems that elevate it above the surface jank.

Battle Worlds: Kronos is a game with its heart in the right place, but it’s difficult to enjoy. Attractive presentation and intriguing strategic elements are present, but the hours of campaign gameplay are largely fluffed by an extreme level of difficulty – and that’s thanks to a ridiculous number of enemies in lieu of smart AI.

A welcome return to Bioware’s space opera, introducing great characters, an interesting story and some fantastic designs, always providing things to do.

Etherborn is a space and gravity bending puzzle game that challenges your spatial awareness, however despite a very compelling hook and lovely visuals it runs out of ideas very quickly.

If you can ignore The Sinking City's technical failings, set the combat difficulty to easy and stick to getting embroiled in the story.

The Inner Friend is a decent horror and while it is incredibly short there is enough variety to keep it interesting. It does have a couple of issues but it is saved by its interesting look at childhood fears. It’s a good way to spend an afternoon.

Knocks away the often daunting atmosphere of RPG titles and appeals to the masses with humour, quirkiness and charm.