Two-and-a-half hours of family bickering, bantering, and pummeling can be draining for the viewer, particularly when many of the characters are easy to dislike.

Overall, Garfield's first movie might not be as amusing as the cartoon but it was still a lot of fun to watch.

It’s refreshing to see an animated film remain true to its audience and avoid becoming a Disney-clone. Diaper-loads of fun.

Neither Confirm Nor Deny plays like a Tom Clancy thriller and opens a little-known door in American history.

Berry delivers an extraordinary performance that will startle even her most faithful fans.

OK, the premise may be a little hard to take, but there's plenty of good writing here, anyway.

Survival Skills has so much going for it, one may feel tempted to go along for the ride, bumps and all.

Heder infuses the characters and plot with such deep emotion it makes up for its lack of narrative originality.

Freundlich’s approach to the film is respectful to the original but begs the question of why translate this particular film for a more mainstream audience. He does so deftly but After the Wedding trods in some familiar melodramatic territories, which may not have the same impact as the original.

An uplifting and inspiring tale.

Is Looney Tunes: Back in Action a great achievement in animation? No, but I think that's the point of the film -- that the old cartoon characters and drawings are more human than the visual miracles produced by Disney and Pixar.

Features an excellent cast all of whom shine. Affleck as Reeves has never seemed more charming and Brody’s Louis Simo is pretty much a scumbag who still manages to gain our empathy.

This is a decent flick, it is just I have seen this a few times before.

The cool thing about this film is that instead of the normal talking heads and formulaic path of the typical biographical documentary, we are shown photos and films from Wyman’s personal archive, which is one of the most impressive things I’ve ever seen.

Interviewing prominent politic figures, business executives, teachers, and everyday citizens with big dreams, the documentary finds the humanity that unites all the globe.

Some pacing issues result in a feature that feels a bit uneven, but I’d be lying if I said I wasn’t entertained throughout all the craziness.

It would be blasphemous to produce another “Neeson-as-old-but-badass-motherfuck*r flick” after this one.

What We Started achieves the directors stated goal of being an impressively comprehensive history of EDM. So much so that the film drags: unless one is a truly deep aficionado, 90 densely packed minutes of info about EDM is too much. It would work better with more music and less detail.

This is innocuous, pop entertainment and, taken on those grounds, it does the job just fine.

Clemons does a fantastic job of making tense moments very believable.

The film amounts to a truthful portrait of family supporting each other in a time of crisis and a painfully real depiction of the hell that was the pandemic.

Nuremberg is a competently made, overlong, corny, entertaining, poignant epic made by the filmmaker responsible for writing classics like Zodiac and duds like Independence Day: Resurgence — a jumble of the man’s best and worst tendencies. Scattershot? Yes. Way too long? Sure. Predictable? Yes. Cheesy? Yes. Did I secretly kinda love it? No comment, your honor.

The documentary is made for big Dio fans and burgeoning metalheads. They’ll love it and maybe you will too.

Ultimately, I walked away wishing the story would leap out of the good category into greatness. But grab your young kids, lower expectations a bit, and you’ll have a good time with the animated antics.

Forces a self-examination that is both traumantic and revealing.

An injection of self-aware humor here and there would’ve been welcome. Yet Blood on Her Name is a fine showcase for its star, and a sturdy debut from a director to watch.

To top everything off, Tom Cruise may just have resurrected his career with the role of Les Grossman.

Antibodie does fasten a tight squeeze on its audience, right from the get go, and even despite the long run time, just over two hours, it's a consistently tense ride.