Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
  1. The story wanders, the plot twists seem contrived at times, and the emotions are never as intense as they might be. But it highlights yet another facet of Hoffman's talent: a gift for monochrome, of all things! And it has a heart as good as Raymond's own. [30 Dec 1988]
    • Christian Science Monitor
  2. Thoughtful, exciting, moving.
  3. It's too emotionally honest and psychologically dense for its own good. It's a movie that demands more than one viewing to absorb all its ideas and feelings.
  4. The performances are stronger than the movie itself. Jodie Foster shows continued growth as an actress, and her girlfriends are skillfully portrayed. [21 Mar 1980, p.15]
    • Christian Science Monitor
  5. As the movie moves through its murder mystery mode and begins racking up political points, Hank becomes a stand-in for all those Americans bewildered and beleaguered by the war. He becomes a Symbol.
  6. Although they might have wished for something less conventional, it's the thrills that make this movie.
  7. Patrice Leconte has directed excellent serious films such as "Monsieur Hire" and "Man on the Train," but when it comes to humor he loses his bearings. His latest attempt at seriocomedy, My Best Friend, is a premise in search of a film.
  8. The show provides a prodigious number of giggles, and it's so short (well under 90 minutes) that you'll have plenty of time to rent the original This Island Earth and test out wisecracks of your own.
  9. Succeeds in bringing a lump to the throat without, as is de rigueur these days, insulting our intelligence.
  10. An absorbing new spin on the ingenious "Rear Window" concept, with poignant comments on aging in modern society.
  11. The movie often seems on the verge of being interesting but repeatedly retreats into a formless vapidity.
  12. Buscemi's directing blends hard-hitting visual qualities with great emotional energy.
  13. Solid acting and an intriguing plot compensate for some dull spots.
  14. Part of the movie's fascination is watching Ms. Bening play a role that tantalizingly mirrors her own position in today's movie world - and she does it with wit, sparkle, and all-out energy.
  15. Cruise gives his energetic all to the role, but he, too, doesn’t seem to be quite aware that Seal was morally compromised far beyond the shallow confines of this film.
  16. Gandolfini, though, is a standout as the old-school father who can't abide his new-style son (but loves him anyway).
  17. The film is frustrating because so many of its best possibilities are missed. But Bening keeps you watching, and, to a lesser extent, so does Jamie Bell as Peter Turner.
  18. Splendid acting helps Jordan achieve most of his goals, although some may find the romantic and religious elements an uneasy mixture.
  19. Writer-director Ray Lawrence, well regarded for his two previous films, "Bliss" and "Lantana," expands Carver's work into an indictment of colonialism and an examination of the chasm that supposedly exists between men and women over matters of the heart.
  20. The bromance often seems generic, too. Fishburne gives a highly nuanced performance, one of his best, as he allows us to see in this man of God flashes of the rogue he once was. But the movie ultimately must be defined by Doc, and we never really get inside his head.
  21. The music and camera work are dazzling, and the story has solid sociological insights into a fascinating pop-culture period.
  22. The cast is something of an indie movie hall of fame that includes Giovanni Ribisi, Mary Steenburgen, Brittany Murphy, and Toni Collette. Marcia Gay Harden is particularly fine as the murdered girl's mother.
  23. Despite its arty veneer and its ostensibly political edge, Circumstance seems more interested in titillation than revelation.
    • 65 Metascore
    • 75 Critic Score
    The story is thin, but it's fun to spend time with more likable African-American characters than most Hollywood movies ever put under the spotlight. [21 Mar 1997, p.13]
    • Christian Science Monitor
  24. Be warned that the violence-prone Spielberg of "Saving Private Ryan" and "Schindler's List" is also on display.
  25. This modestly produced drama isn't acted or directed with much flair, but it shows a welcome awareness of the complex links between personal and political impulses.
  26. Quite restrained for what's basically a horror movie, and very well acted.
  27. The best moments in “Parnassus” are not otherwordly but worldly. It’s a movie about a dying magician and the death of magic. This is a subject that obviously means a lot to Gilliam, and he makes us feel it in our bones.
  28. Comically grotesque, strikingly filmed.
  29. Has touching and instructive moments.

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