Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
  1. It’s to Nathan’s credit that he doesn’t negate the allure of dirt-bike riding as an escape hatch from inner-city woes.
  2. The acting is fine, the filmmaking is honest, and the class-conscious story couldn't be more timely.
  3. Sean Connery is still up to par as James Bond in the latest adventure of Agent 007,
  4. There's only one kind of movie that Spielberg has truly mastered: the kind that looks like a wide-screen video game complete with loony plot twists and mind-bending special effects. And that's Jurassic Park down to its bones. [11 June 1993, Arts, p.12]
    • Christian Science Monitor
  5. It’s gross, all right, but rarely funny – unless jokes about alcohol-laced breast milk is your thing.
  6. The filmmaking style is annoyingly slick, but the testimonies of these children are excruciatingly moving.
  7. The basic plot of Thomas Hardy's great novel "Jude the Obscure" comes through accurately enough, but its sublime irony and sardonic wit apparently got lost in the misty English countryside.
  8. The derby sequences are just OK, and the conflict between Bliss and her uncomprehending parents, played by Marcia Gay Harden and (a fine) Daniel Stern, is so predictable that you wish someone had rolled onto the set to whip it into shape.
  9. The role of Deb is not written with any great depth, but Miller gets into the character’s psychological complications in a way that almost compensates for the lack.
  10. It's a deliciously perverse melodrama.
  11. The screenplay is convoluted but fascinating, flawed less by its built-in complexity than by the limitations of the characters' psychological depth.
  12. Téchiné's movies are always worth seeing, and The Girl on the Train, for all its faults, has moments that resonate
  13. The result is yet another remake that should send viewers scurrying to video stores for the original.
  14. The documentary includes peerless clips of Billie Holiday and Lester Young from a TV show Hentoff coproduced as well as snatches of an interview with a young Bob Dylan, a clip of Hentoff on William Buckley’s “Firing Line” TV show, and lots more worth your time.
  15. Scott's filmmaking is as blunt and bullying as the mayhem it portrays.
  16. It just may be the most boring movie ever made – period.
  17. Although the drama doesn't quite live up to its early promise, much of it is emotionally involving and intellectually stimulating. [22 May 1992, p.12]
    • Christian Science Monitor
  18. Ultimately, forgettable, but for most of the way it's a pleasant little vacation of a movie.
  19. Despite the film’s intentions, Idris and Seun can’t really stand in for anybody but themselves. What they go through, as middle-class kids in a privileged school system, seems far less race-based than the filmmakers would have us believe.
  20. [Cameron] may not be a great artist, or a visionary, but in its look, and its feeling for family, this behemoth enterprise still has an ardent, cornball grandeur to it. I look forward to “Avatar 3.”
  21. The subject is so gripping that you almost forgive the filmmakers for skewing their material in order to keep Costner's pretty face at the center of everything that happens.
  22. The film's underwater views are breathtaking, as are its drawings and photographs of the Titanic's original splendor.
  23. The gently told comedy-drama is more colorful than you'd expect, using wry humor and lively music to keep sentimentality at bay.
  24. For a movie touting "inner peace," this 3-D sequel sure goes in for its share of battle scenes, but for the most part they are excitingly conceived.
  25. Langella's performance turns what might have been a "Twilight Zone"-style trifle into something more: a movie about a proud, ornery man combating his fearfulness.
  26. It's a showpiece for that Belgian city's medieval splendor. You may want to book vacation reservations upon leaving the theater, although the memory of this underwhelming movie may tarnish the sightseeing.
  27. The film could be more adept and probing, but the ladies - Cleo Hayes, Marion Coles, Elaine Ellis, Fay Ray, and Geri Kennedy - are delightful.
  28. The only performances worth discussing are delivered by the always excellent Michael Shannon, the Texas detective who tries to set things right, and Aaron Taylor-Johnson as the scurviest of the marauders.
    • 67 Metascore
    • 100 Critic Score
    There's something both simple and sweet about Bolt, yet epic, that's entirely surprising.
  29. It's a movie that could easily have been made 50 years ago, and I don't mean that as a knock. There is much to be said for a film that values unflashy craft and simple, unhurried storytelling.

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