Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
  1. A skeptical view of George W. Bush's chief political strategist, Karl Rove, using argumentative strategies common to agenda-driven documentaries.
  2. Filmed to perfection by the great Christopher Doyle and others.
  3. Brokeback Mountain is a tragedy because these men have found something that many people, of whatever sexual persuasion, never find - true love. And they can't do anything about it.
  4. In short, they don't make 'em like this one anymore. Viewing it is like taking a time machine to a movie age that was more naive than our own in some ways, more sophisticated and ambitious in others.
  5. The movie is flawed by implausible psychology and moments of weak acting. But it's more than redeemed by Lee's passionate ideas about America today.
  6. The visual style is at once deliberately archaic and slyly postmodernist, slinky and sensuous from first frame to last.
  7. Understated acting and brilliant use of wide-screen black-and-white cinematography.
  8. A feel-good musical that, for a change, actually makes you feel good.
  9. The enchanting French-Belgian animated feature Ernest & Celestine is so liltingly sweet and graceful that, a day or two after I saw it, it seemed almost as if I had dreamed it.
  10. Tsai's cinematic style is unique: He unfolds his stories in long, static shots that let you discover their surprises and mysteries on your own. And that's great fun. What Time Is It There? is perky, entertaining, and one of a kind.
  11. Suspenseful, surprising, and psychologically rich.
  12. It’s possible to be heartwarming and tough-minded, as this wonderful film demonstrates. And it’s possible to be both “old-fashioned” and vibrant, too. It’s the best new/old movie in town.
  13. A plan for a perfect murder goes wildly wrong in this 1958 melodrama by one of France's great filmmakers.
  14. I hate to sound blurby, but Borat is the funniest comedy I've seen since I don't know when.
  15. In the Mirror of Maya Deren, creatively written and directed by Martina Kudlacek, is an eloquent memorial to her unique accomplishments -- and an excellent introduction for those who have yet to discover them.
  16. Kidman, Moore, and Streep do some of their best work, backed by a first-rank supporting cast.
  17. It's a giddy nightmare. Nothing is quite what it seems in I Served the King of England, and this is poetically appropriate. The world it depicts is too dangerous and too lovely to classify.
  18. With its ingenious camera style, keenly dramatic music score, and brash yet indomitable humor, Do the Right Thing is the richest and most thought-provoking portrait of underclass experience that Hollywood has ever given us.
  19. These paintings speak to us; they both compress and elongate time. In Cave of Forgotten Dreams, Herzog is reaching for ways to comprehend what he imagines to be the emblems of the birth of the modern soul.
  20. The acting is superb, the filmmaking is imaginative, and the story never goes quite where you expect.
  21. You may become a cinemaniac yourself after sitting through this beauty.
  22. There's plenty for us to feast on in Under the Sea 3D without drawing a single drop of blood. If you have small children, you'd be crazy not to take them to this film.
  23. A riveting re-creation of three world-changing collapses: those of the Nazi party, of militarized Germany as a whole, and of the Führer who guided them into self-destructive ruin.
    • 92 Metascore
    • 100 Critic Score
    They don't make 'em like this anymore! [13 Nov 1998, p.B2]
    • Christian Science Monitor
  24. In a series of deft vignettes, the Dardennes offer up a microcosm of an entire working-class contingent, and each vignette is a universe all to itself.
  25. Her film is closer to Truffaut's "The 400 Blows" in the way it gets inside the gumption and desperation of childhood lived on the edge. It's a terrific, bracingly sad movie.
  26. The rise and fall of Dawson City, intimately tied to the vagaries of climate and man’s greed, is heartbreakingly rendered.
  27. Kenan never loses sight of the wonderment that children (and adults) experience when the inanimate becomes animate. Anthropomorphism is basic to the art of animation. So is a good story, and Kenan has that, too.
  28. The plot may be a bit too busy, but a great wash of transcendent imagery floods the screen. If I had to recommend the best children’s film out there for all ages, this one, and “The Tale of Princess Kaguya,” would easily top the charts.
  29. Leon has a marvelous and rare eye for blending staged dramatic sequences into documentary settings, from barrio bodegas to high-rise penthouses. He often films in extended, unbroken takes, and this gives the actors a chance to work up their own distinctive rhythms.

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