Boston Globe's Scores

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For 7,950 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
  1. Positive: 5,231 out of 7950
  2. Mixed: 1,554 out of 7950
  3. Negative: 1,165 out of 7950
7950 movie reviews
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    • 51 Metascore
    • 63 Reviewed by
      Ty Burr
    Savage Grace
    A chilly inquest into very bad behavior, Savage Grace is presented to us like an entrée at a five-star French restaurant. It's decadence under glass.
  2. Roman Polanski: Wanted and Desired
    If you go into "Wanted and Desired" with preconceptions, prepare to feel them challenged and altered, even if they are ultimately confirmed. The facts speak loudly.
    • 65 Metascore
    • 63 Reviewed by
      Ty Burr
    Hanna
    It rockets along entertainingly enough for most of its running time - only that it's made with a self-importance the story itself doesn't warrant.
    • 61 Metascore
    • 63 Reviewed by
      Ty Burr
    Emmanuel's Gift
    Directed in the breathless inspirational tones of an infomercial, the film's an acceptable document of a thoroughly remarkable individual.
  5. Life in a Day
    Macdonald knows plenty about crafting something evocative from unscripted material.
    • 59 Metascore
    • 63 Reviewed by
      Ty Burr
    Elvis & Nixon
    Elvis & Nixon strains itself to bring the title duo together and then relaxes — finally — while Spacey and Shannon perform the actor’s equivalent of a waltz.
    • 75 Metascore
    • 63 Reviewed by
      Ty Burr
    Rango
    You can feel the actors tossing energy, one-liners, and limbs off each other with gusto.
  8. Sarah's Key
    Luckily, the movie has Scott Thomas. She knows her radiance can't be helped, so she uses it here like a searchlight.
  9. Piece By Piece
    The lack of a deeper dive into its subject’s trials and tribulations is the biggest flaw of “Piece by Piece.” While the concept of making a documentary with Legos is an intriguing one, and it’s well executed, the film itself is a very shallow look at its subject.
    • 50 Metascore
    • 63 Reviewed by
      Ty Burr
    A.C.O.D.
    Scott’s probably the perfect actor for this, since he’s too likably lightweight to suggest any emotion more crippling than exasperation.
  11. Southie
    Juicy acting and an intense individual and communal commitment that seems to boil up from the streets carry Southie past its structural and technical limitations. [28 May 1999]
    • Boston Globe
    • 66 Metascore
    • 63 Reviewed by
      Ty Burr
    Elegy
    Elegy drifts helplessly into melodrama, and it loses its bearings and its head in a ridiculous final act.
  13. Happy End
    Beautifully photographed, well composed, but disappointingly superficial.
  14. A Private Life
    Foster and the rest of the cast are so good, I almost want to recommend that you go just for their performances. After all, it’s the journey, not the destination, that counts. That is, unless you’re making a murder mystery.
  15. Thor: Ragnarok
    Thor’s bloodsport detour diverts an inordinate amount of the filmmakers’ attention, and ours, from the whole end-of-days buildup. Hopkins gets short shrift, as does Idris Elba’s returning interdimensional gatekeeper, Heimdall.
  16. 8 ½ Women
    The problem with 8 1/2 Women isn't that what you see is what you get; it's that what you see is all you get.
    • Boston Globe
  17. Wet Hot American Summer
    The film keeps being yanked back from nothingness by this or that clever sendup, delivered by a small army of invigorated performers who seem to push off from one another's energy levels.
  18. America's Heart and Soul
    Schwartzberg does stumble upon some pretty fascinating people.
  19. Soul Surfer
    The best moments come when Robb's all-purpose toughness experiences vulnerable doubt. These moments are flickers, but they're bright and human.
    • 46 Metascore
    • 63 Reviewed by
      Ty Burr
    Knight and Day
    The movie’s a piece of high-octane summer piffle: stylish, funny, brainless without being too obnoxious about it, and Cruise is its manic animating principle.
  21. TRON: Ares
    To say that Oscar winners Trent Reznor and Atticus Ross go hard on the music would be an understatement. There were times when their beats vibrated through my theater chair, goosing me into thinking “Tron: Ares” is better than it is. Their contribution propels the action and makes you believe in the visual bedlam unfolding before you.
  22. Ararat
    The screenplay's intelligence begins to break down in Egoyan's formal choices. Ideas never elude Egoyan, but boy does Saroyan's epic look uncertain and cruddy.
    • 62 Metascore
    • 63 Reviewed by
      Ty Burr
    Micmacs
    Micmacs is the equivalent of a circus troupe setting up a tent in a war zone: You're entertained, even delighted, but after a while you suspect there are more serious matters at hand.
    • 57 Metascore
    • 63 Reviewed by
      Ty Burr
    Snow White and the Huntsman
    Just feels like it was made from the pieces of every fantasy-action movie ever made.
    • 65 Metascore
    • 63 Reviewed by
      Ty Burr
    Bad News Bears
    The remake is stranded between pushing the scatological envelope and caving in to the formulas the 1976 movie established, and until the well-nigh foolproof ending, it comes up gasping for air.
    • 37 Metascore
    • 63 Reviewed by
      Ty Burr
    Battle: Los Angeles
    The Duke is not only name-checked in passing, but Eckhart (who's excellent) even bears a squinty resemblance by the final scenes.
    • 55 Metascore
    • 63 Reviewed by
      Ty Burr
    I'm So Excited
    I’m So Excited! is probably its director’s most forgettable work. But it has its trashy pleasures, and it beats an in-flight movie — the one place you can bet it will never be seen.
  28. Below
    With more character development this might have been an eerie thriller; with better payoffs, it could have been a thinking man's monster movie.
  29. Escape from Tomorrow
    Escape From Tomorrow, Moore’s sometimes surreal, sometimes sophomoric, black comic phantasmagoria, makes for a bumpy theme park ride.
    • 72 Metascore
    • 63 Reviewed by
      Ty Burr
    Mesrine: Public Enemy No. 1
    By the end, Mesrine: Public Enemy #1 has turned nearly as flabby as its aging antihero.
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