| Focus Features | Release Date: December 7, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
26
Mixed:
19
Negative:
2
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Critic Reviews
What keeps the film from feeling like period-piece amber, all whispered alliances and wiggery, is the keenly feminist sensibility of first-time director Josie Rourke (her background is largely in theater) and the fierce charisma and complicated humanity of its two leads, sovereigns till the end.
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Saoirse Ronan as Mary and Margot Robbie as Elizabeth offer rich, committed performances and highly passable accents. There’s also a certain thrill in being transported to another very real-feeling world: inside elaborate stone mansions lit only by candles and furnished with stiff but fancy furniture. The costumes, jewelry and makeup, too, are fabulous. But a hard-to-pinpoint pall hangs over Mary Queen of Scots.
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Rourke does enough to both honor and reshape the hallowed mold to keep things interesting. Working with a script from Beau Willimon—the House of Cards creator whose smart streak is sometimes undone by hammier impulses—she steers an interesting course through cliché, both upending and satisfying the royals fan’s hunger for repetition, for familiar tropes staged anew.
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Both Mary Queen of Scots and "The Favourite," as entertaining as they are, end in a place closer to despair than to triumph – not necessarily because the Queens in question rendered poor judgment, but because, in their treacherous worlds, it became impossible to know whom to trust. And, to put it bluntly, men didn’t help.
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Saoirse Ronan and Margot Robbie are both superb in muted performances and, while the film’s palace intrigue gets a bit dense, the story never loses sight of its deep compassion for these characters and their shared plight of being held hostage by conniving, belittling, power-hungry men determined to usurp their authority.
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