| Focus Features | Release Date: December 7, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
26
Mixed:
19
Negative:
2
|
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Critic Reviews
Bright and charismatic though Mary was, she was, in effect, born under a bad sign, fated, despite all her advantages, not to have anything like the happily ever after that royals have in fairy tales and Disney movies. In a similar way, despite numerous advantages (including splendid cinematography by John Mathieson), the film with her name on it has promise it does not fully deliver on. But when those queens are on the screen, all bets are off.
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Despite the sometimes clever and surely deliberately anachronistic dialogue from the terrific screenwriter Beau Willimon (“The Ides of March,” the Netflix series “House of Cards”), capable direction from Josie Rourke and strong performances from Saoirse Ronan as Mary Stuart and Margot Robbie as Queen Elizabeth, Mary Queen of Scots often comes across as stultified and stagnant.
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Perhaps you can accuse all historical fiction of presentism, the sin of applying contemporary values to historical events. Why does the past interest us if not for the comparisons it provides with the present? But with the example of "The Favourite’s" wittily anachronistic romp through the 18th-century court of Queen Anne so fresh at hand, it is hard not to judge the earnest Mary Queen of Scots for its ignorance of the problem.
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