The second full-length release from the San Francisco pop punk trio was self-recorded and mixed by Monte Vallier.

This is the German techno producer's first full-length studio release in five years.

The latest full-length release from North Carolina artist Indigo De Souza was recorded in Los Angeles with Elliott Kozel.

The second full-length release from the indie rock duo of Mazes' Jack Cooper and Veronica Falls' James Hoare was recorded on one-inch tape.

The second album for the London-based singer was produced with Greg Wells and features Imogen Heap and Final Fantasy's Owen Pallett as guests.

The latest full-length release for the reformed British rock band was produced by Lynne with contributions from album engineer Steve Jay.

The veteran Nashville artist wrote and produced all 11 tracks on her latest album, and handled most of the instrumentation as well.

'World' is the first solo album in a decade for the Sunny Day Real Estate and Fire Theft frontman.

Brad Jones returns to produce the singer-songwriter's tenth studio release recorded in Spain.

The debut full-length release for the group that includes The OSees' John Dwyer, Brad Caulkins, Tom Dolas, TV On The Radio's Kyp Malone, Sunwatchers' Peter Kerlin, Laena "Geronimo" Myers-Ionita, Andres Renteria, Joce Soubiran, Marcos Rodriguez, and Ryan Sawyer was recorded over five days.

The ambient duo of Brendon Anderegg and Koen Holtkamp releases its second album.

This is the first album in five years for the duo of DJ Premier and Guru.

This is the fourth album for the Sacramento-based alternative rockers best known for their hits "Never There" and "The Distance."

This is the first album in four years for the London-based indie pop group led by Sean O'Hagan.

The debut album from California electronic artist Timothy Wiles includes collaborations with Beenie Man and Davey Dave.

The Norwegian electronic duo follow-up to their 2011 album Schlungs is a collection of original tracks and songs they remixed for other artists.

The 10th studio album from the British post-rock band sticks to the formula that contributes to its longevity--synth-laden instrumentation and experimental dream-pop over delicate female vocals, containing tracks from previous sessions.

The mellow indie-pop duo (Maria Taylor and Orenda Fink, both former members of Bright Eyes) returned to the studio with producer Eric Bachmann (Archers of Loaf) to record this sophomore LP. Fink and Taylor also lend their vocals to a track on Moby's latest, '18.'

The former frontwoman of the Los Angeles indie group that dog. strikes off on her own with this solo debut.

This is the second album for the two Norwegian artists together.

Chris Isaak's eighth album is his first since the disappointing sales of 1998’s 'Speak of the Devil,' but also his first since he took to the small screen in a Showtime comedy series.

Dance and R&B influences the full-length debut from Wye Oak's Jenn Wasner and Art Department's Jon Ehrens.

This sophomore disc finds the young emo band expanding on its sound with the help of producer Steven Haigler (Pixies, Quicksand).

Perhaps finding "Chantal Passamonte" too dull a name for an experimental electronica artist signed to Warp Records, the former Warp publicist adopted the Mira Calix moniker prior to her 2000 debut. This is her second full-length release.

The debut release for the trio formed by the Jesus Lizard's Duane Denison, Einsturzende Neubaten's Alexander Hacke, and Silver Jew's Brian Kotzur includes five improvised tracks.

The veteran singer's first completely self-produced album is his first studio recording since 2001's 'Songs From The West Coast.'

Fat Joe's latest album features Busta Rhymes, Clipse, Cam'ron, Lil Wayne, Rico Love, TA, Too Short, Trey Songz, and Young Jeezy as guests.

The English post-rock trio's third album finds them moving even further away from their Krautrock roots.

The sophomore album for the Norwegian indie rock band was produced by Gary Olson.

The sixth studio full-length release for the Philadelphia post-hardcore band was produced by Will Yip.

Paying tribute to the techno pioneers of Detroit, the garage rock band out of Michigan delve into a bit of disco and dance music with the reinterpretation of programmed drums and synths on their latest release.

Maps & Atlases’ second EP, You and Me and the Mountain, found the band moving in a lighter direction than the mathematical frenzy of their first EP Trees, Swallows, Houses. Their first full-length sees them fully morphed into a sophisticated indie pop group. Perch Patchwork is a bold debut, filled with bombastic arrangements, twisting modal progressions, and percussive layers. The skill set is high, but it’s far less showy. Guitarists will still be enthralled by Dave Davidson's and Erin Elders' fingertapping, but acoustics take precedent, and moderately slow tempos maintain the album's balladic feel. If Trees, Swallows, Houses felt like a cousin to Don Cab or Hella, their first Barsuk outing has adapted the organic spirit of their Northwestern labelmates (particularly that of Menomena, the Long Winters, and John Vanderslice.) Of course, with Maps & Atlases' virtuosic chops and syncopated leanings, they kind of resemble BLK JKS or Minus the Bear, albeit with a Jethro Tull influence. Trendy South African rhythms and austere strings spin a web around Davidson’s poetic lyrics, and in this intricate, introspective setting, their talent becomes very clear. ~ Jason Lymangrover

This debut album for the New York City-based indie pop quintet was produced by Nick Stumpf.

The follow-up to their hit debut album for the British indie-rock group.

The fifth full-length studio release from the singer-songwriter was produced with Jim Scott.

The first covers album for the Los Angeles grunge/metal band includes guest appearances from such artists as Mudhoney's Mark Arm, Jello Biafra, Neurosis' Scott Kelly, Melvins Lite, and J.G. Thirlwell.

The third full-length release for the British rapper features guest appearances from such artists as Bipolar Sunshine, Jake Bugg, Bugzy Malone, Jess Glynne, Zara Larsson, Mnek, Nea, Tinashe, and Wizkid.

The latest full-length release from Osees' John Dwyer features improvised collaborations with Greg Coates, Anders Renteria, Ryan Sawyer, and Wilder Zoby.

The second full-length release for the collaboration between Ben Harper and Charlie Musselwhite is a follow-up their Grammy-winning 2013 album Get Up! [The digital deluxe edition features three bonus songs recorded live at the Machine Shop.]

The seventh solo album for the country singer was produced by Brent Maher.

The second full-length solo release for the ZZ Top guitarist features contributions from Mike Flanigin, Austin Hanks, Joe Hardy, James Harman, Greg Morrow, and Matt Sorum.

The fourth full-length release for London-based post-punk band Warmduscher was produced by Hot Chip’s Joe Goddard and Al Doyle.

The 11th full-length release for Stephen Wilkinson as Bibio is mostly instrumental with only two tracks containing vocals.

The second full-length release from Atlanta singer-songwriter Teddy Swims features guest appearances by GIVĒON, GloRilla, Coco Jones, and Muni Long.

The third full-length release for the British indie rock band is its first with Thomas Fiquet and Robbie Wood, who replaced the departing founding members Higgy and Zack Robinson.

The blues-rock guitarist's latest album was produced by Kevin Shirley and includes Blondie Chaplin, David Letterman drummer Anton Fig, Carmine Rojas, and Aerosmith's Brad Whitford as guest musicians.

The debut full-length release for the singer-songwriter was executive produced by Monsters & Strangerz.

The second full-length solo release for the singer-songwriter from Buffalo was co-produced with Ben Hillier.

The latest release for the blues artist was produced with Eric Corne and features an emphasis on Mayall's piano playing.

The 11th full-length studio release for British rock band The Cult was produced by Tom Dalgety.

This is the debut release for the Essex-based indie rock band led by former Beatglider singer Matt Randall.

The second full-length release for Mulatu Astatke & Black Jesus Experience was recorded in Addis Ababa and Melbourne.

In the 1970s, Elvis Costello (then known as Declan MacManus) and Allan Mayes were known as Rusty. They reunite for a six-track EP that features two originals and four covers.

This is the debut release for the noise project from the former Sonic Youth singer with Tomorrows Tulips' Alex Knost.

This is the tenth studio release for the British metal band.

The first solo full-length release in three years for the alternative rock artist was co-produced with Jackson Phillips.

The third full-length release for the Los Angeles-based French artist was recorded in New York with producer Patrick Wimberly.

The debut album for the British band was produced by Edwyn Collins.

The fourth full-length release for what was a bluegrass side project of the Decemberists was produced by Vance Powell.

This is the debut full-length release for the Brooklyn-based psychedelic rock band led by Jessica Numsuwankijkul.

The second full-length studio release for the hip-hop collective features guest appearances from such artist as Big Sean, Joey Bada$$, KEY!, Kirk Knight, Lil Uzi Vert, Gucci Mane, Meechy Darko, Nyck Caution, Frank Ocean, Quavo, Playboi Carti, John Reilly, ScHoolboy Q, Jaden Smith, Smooky MarGielaa, Zack, and Zombie Juice.

This is the first album on the Tender Loving Empire label for the Portland, Oregon-based indie pop group led by Ritchie Young.

The third album for the St. Louis-based rock band was produced by Chris Walla.

The London, England, house duo of Felix Buxton and Simon Ratcliffe release an album reinterpreting their hits by the Metropole Orkest of the Netherlands orchestra, conducted by Jules Buckley.

The sixth full-length release for Australian rock band The Murlocs was self-produced.

This is the sophomore album for the folk singer from Pennsylvania.

The latest full-length release from Rufus Wainwright features folk cover songs with guest appearances by Anohni, Andrew Bird, David Byrne, Brandi Carlile, Sheryl Crow, Madison Cunningham, Susanna Hoffs, Chaka Khan, Lily Lanken, John Legend, Anna McGarrigle, Van Dyke Parks, Nicole Scherzinger, Chris Stills, Chaim Tannenbaum, Martha Wainwright, and Lucy Wainwright Roche.

The debut full-length album for the trio from Davis, California was produced by Greg Saunier (Deerhoof).

The third full-length release for the Mississippi artist was recorded in a haunted Victorian house in St. Augustine, Florida.

The third full-length release for the Icelandic singer is her first entirely sung in English.

Formerly known as Pure Ecstasy, Pure X's debut full-length album was recorded live.

The second release from Rumer is a covers album of 1970s songs originally sung by such artists as Isaac Hayes, Bob Marley, Jimmy Webb, and Townes Van Zandt.

Produced by Terry Date, the 11th full-length studio release for the California trash metal band is the first with Exodus guitarist Gary Holt who took over from co-founding guitarist Jeff Hanneman who passed away in 2013.

This is the first full-length studio release from alternative rock band led by Isaac Brock in eight years.

The sixth album for the British rock band features bassist Chris Wolstenholme on lead vocals for two tracks he wrote.

The debut full-length jazz side-project of David Lynch and Angelo Badalamenti was recorded between 1991 and 1993.

The third full-length studio release for the R&B singer features guest appearances from Alessia Cara, Remy Ma, and Wiz Khalifa.

The rock-and-roll legend's latest release is his second album of duets with such artists as Eric Clapton, Sheryl Crow, Merle Haggard, John Fogerty, Kid Rock, Kris Kristofferson, John Mayer, Willie Nelson, Keith Richards, and Slash.

The third album for the indie rock band from Canada.

The latest full-length release from Kishi Bashi features influences of Brazilian jazz, 1970s funk, orchestral rock and Japanese city pop music.

The sixth full-length release for the Southern California metal band was produced by Mark Lewis and is its first with new bassist Chris Towning.

The New York industrial electronic duo of Aaron David Ross and Matthew Arkel releases their debut full-length on the Hippos In Tanks label.

The Tampa band is back to a trio (Carson Cox, Dave Vassalotti, and Pat Brady) for its second full-length on the 4AD label and was for the first time recorded partly in a studio.

The second full-length release from Polly Mackey as Art School Girlfriend features contributions from Marika Hackman, Alfie Johns and Chloe Kraemer.

The latest album for the punk rock trio from Illinois was produced by Josh Abraham.